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Harry Brown
In this British thriller, Sir Michael Caine plays Harry Brown, a modest, law-abiding widower who lives in a depressing council estate. When his best friend, Leonard, is murdered by a gang of thugs, Harry feels compelled to dispense his own brand of justice. As an ex-marine, he has the skills to do so, but his efforts bring him into conflict with the police force, including investigating officer DCI Frampton (Emily Mortimer).
Starring Michael Caine, Emily Mortimer, Charlie Creed-Miles, David Bradley, Iain Glen, Sean Harris
Directed by Daniel Barber (feature debut)
Written by Gary Young
Thriller, Drama, Crime | 1hr 43mins | Rated (R18) | Contains Violence, Offensive Language, Drug Use & Sex Scenes | Origin: UK | NZ Distributor: Hoyts Distribution | Official Site »
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The Talk
1 votes / No comments
Flicks review
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5
Ever-watchable, Michael Caine enriches damn near everything he appears in, and he elevates this grim vigilante-fest from pretty darn good to essential viewing. Not for the squeamish, Harry Brown is chilling from its kinetic and brutal opening frames right through to the increasingly explosive violence inflicted by both Brown and the truly horrible council estate scumbags he pits himself against.
It’s not unfair to label Harry Brown a bit of a Death Wish knock-off (with a pinch of Gran Torino and Taxi Driver) but that would be overlooking a couple of important points. The first is the British setting and examination of kids there that, as in Eden Lake, are part of a hopeless generation spiralling out of control into violence and nihilism.
The other is, of course, Caine. His performance is riveting enough when the film begins, as Harry Brown, doting husband and pensioner, but the deaths of both his wife and then best pal allow him to dig deep into a reservoir of emotion and produce something particularly compelling. And then comes the revenge.
Never seeming an unlikely hero, despite his age, Caine proves an extremely competent vigilante and everything about the film is geared to make you cheer him on. Whether gun-toting pensioners are a real solution to Britain’s youth crime crisis, however, remains to be seen.
The people's reviews
5 reviews
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Gripping
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Press Reviews
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Chicago Sun-Times (Roger Ebert)
This movie plays better than perhaps it should. Directed as a debut by Daniel Barber, it places story and character above manufactured "thrills" and works better.
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Christchurch Press (Margaret Agnew)
4
Hell is other people. This is especially true if you live on Harry Brown's housing estate.
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Dominion Post (Graeme Tuckett)
3
Clearly it's the week for films you've seen before being done again with better actors.
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Empire (UK)
4
Essential stuff, even by the big man’s considerable standards.
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Kiwi FM (John Henderson)
"A study of urban decay... brilliantly shot."
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Los Angeles Times
It's a strong directing debut for Barber, who uses the poignant power of Harry's experience to take a universal cut at decaying communities and the poverty of soul as well as pocket.
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New York Times
Mr. Caine is one of the few reasons to sit through Harry Brown, an exercise in art-house exploitation directed by Daniel Barber and tarted up with self-importance and a generally striking visual design.
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NZ Herald (Peter Calder)
3
A nasty piece of work
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Total Film (UK)
3
The hero might be Brown, but Harry is black and white in its treatment of inner-city blight. When all the bullets are spent you’re left with the dubious aftertaste of exploitation, but Sir Michael’s charisma keeps you watching.
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Variety (USA)
Bleak, gripping, sporadically exciting drama.
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