Out now on demand, Out now on dvd/blu-ray

On the Road, Movie

On the Road 2012

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Jack Kerouac's generation-defining novel arrives on the big screen, executive-produced by Francis Ford Coppola and starring Sam Riley, Kristen Stewart, Kirsten Dunst, Amy Adams and Viggo Mortensen. From the director of The Motorcycle Diaries. More

Based on Kerouac's semi-autobiographical account of his 1940s road-trip across America, the tale follows young determined writer Sal (Riley) who hits the road with a newlywed couple, the charismatic ex-con Dean (Garrett Hedlund) and his 16-year-old wife Marylou (Stewart). Hide

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78 votes / 16 comments The Talk

  • 87 %

    Want to See it

    What say you?

    • Just Me

      Noice (but did K-Stewart HAVE to be in it??)

    • Jools

      Hey- watch it, a lot of us very much like K.Stewart and think she has a promising career.

    • Community

      Def. seeing this one. great cast too. "promising career? that goes to Gerrett Hedland

    • Ken

      Sunday afternoon, wet weather watch so I'm in

    • shopqueen

      has posablities

    • good

      cinematography

    • DarcyClay

      I'm pro Kristen Stewart but would watch this regardless. Looks great!

    • NG123

      soooooooo want to see it! Give us a release date already!

    • gorjessnz

      They better play this at hoyts, because no little-time cinemas are around in CHCH anymore :(

    • Cass-Hodder

      The novel is magic. Looks like a good cast. Looking forward to it!

    • Emily Broughton

      Favourite book, looks like an adaptation that will be loved by fans and newbies.

    • Some Random Guy

      Would have preferred that "The Dharma Bums" was made into a movie instead

    • Mary

      I read 'on the road' as a student nurse 30 years ago...Iloved the book. Can't wait to see this movie

    • Tamwise

      Its quite a long flick where not a whole lot happens..drugs, sex, lots of driving and not a huge amount of character development.

    • i liked it

      You've got 140 characters...go!

    • keza

      i agree. why k Stewart. why

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Flicks.co.nz Review

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Rebecca Barry Hill Flicks Writer

Jack Kerouac’s seminal road trip novel was never going to make for an easy screen adaptation. Written in one breath with the rambling fuel of a methamphetamine buzz, it was arguably a novel with more style than substance, more philosophy than plot and more uppers, so to speak, than downers. As exciting as Sal Paradise and his best friend Dean Moriarty’s experiences were, it was basically a story about two dudes on their OE, in search of sex, drugs and jazz (it was the 1940s after all). More

Screenwriter Jose Rivera and director Walter Salles (who knows a thing or two about road movies, having directed The Motorcycle Diaries), needed to tap into the youthful spirit, sexual energy and vulnerability of the book’s characters in order to remain faithful, while accepting the sometimes superficial nature of the characters’ journey.

Miraculously, they manage it. Although it takes a while to warm to the gushing enthusiasm and close fellowship of the lead larrikins, it’s easy to get lost in the carefree quality of the film. It serves as a reminder of how sprawling the original narrative is, and how things inevitably bode well for the young men and not so for the women who were bound by their children and domestic responsibilities.

It’s also largely thanks to a (mostly) excellent cast. Garrett Hedlund effortlessly embodies the unbridled cool of the Moriarty character, a performance that will no doubt see him ascend to leading man status. Sam Riley as Sal Paradise not only looks the part, but exudes a natural combination of zest and nonchalance.

The weird interludes might test your patience – a dalliance with Amy Adams and Viggo Mortensen’s deranged characters adds little to the journey – and Kristen Stewart is as sullen and flat to watch as you’d expect. But Salles has done the book justice by creating a film about what it means to be young and hungry for life. Hide

The People's Reviews

Rating:

1 ratings and 1 review

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SLIGHTLY DISAPPOINTING

TUBBS A-Lister (?)

The strength of the film is its depiction of seediness. Its weakness is that the characters mumble their lines - presumably to achieve authenticity(?)

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Press Reviews

A.V. Club (USA)

All that's missing is Kerouac's voice -- the reason the book is worth reading. Full review.

New York Times

Salles, an intelligent director whose films include 'The Motorcycle Diaries', doesn't invest 'On the Road' with the wildness it needs for its visual style, narrative approach and leads. Full review.

Variety (USA)

Despite the high level of craft here, it's an inadequate substitute for the thrilling, sustaining intelligence of Kerouac's voice. Full review.

Guardian (UK)

The characters heroically swig from bottles, smoke joints, have sex and become narcissistic, flatulent and boring in a way that isn't entirely intentional. Full review.

Hollywood Reporter

While the film's dramatic impact is variable, visually and aurally it is a constant pleasure. Full review.

Little White Lies (UK)

You can keep the Zeitgeist embalmed in myth and nostalgia for as long as you like, but to truly reinvigorate it you'll need a whole lot more than a whiskey-hued lens and a frontseat full of pretty faces. Full review.