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The Insatiable Moon

The Insatiable Moon

2010

"Down and out in Ponsonby doesn’t have the ring about it that it had 30 years ago, but The Insatiable Moon makes a colourful dramatic plea for the continued existence of halfway houses in a part of the city better known for curbside dining. A chance encounter between Sara Wiseman’s social worker and charismatic, barefooted self-proclaimed Second Son of God Arthur (Rawiri Paratene) entwines with the fate of the lodgers in a Ponsonby boarding house as real estate agents, TV current affairs, neighbourhood watch, health bureaucrats and a helpless vicar take sides around the underhand campaign to throw them out.

Divine madness and down-to-earth compassion are at the heart of producer, and former Ponsonby minister, Mike Riddell’s script. Directed by his partner Rosemary Riddell, The Insatiable Moon’s splendid cast (including Ian Mune) endows the household of psychiatric patients and low-income tenants with individual gnarliness and touching esprit de corps." (New Zealand International Film Festival 2010)

Starring Rawiri Paratene, Ian Mune, Bruce Phillips, Matthew Chamberlain, Sara Wiseman, John Leigh, Greg Johnson

Directed by Rosemary Riddell (feature debut)

Written by Mike Riddell

Festivals & Awards Winner of Best Lead Actor (Paratene) and Supporting Actor (Johnson), Aotearoa Film & Television Awards 2011.

Drama | 1hr 30mins | Rated (M) | contains offensive language, content that may disturb | Origin: New Zealand | Language: English and Maori with English subtitles | Official Site »

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1 votes / 1 comments

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  •  4

    Despite being shorn of almost 95 per cent of its original budget and British actors James Nesbitt and Timothy Spall, The Insatiable Moon is a minor miracle of a movie.

    Making great use of the sights, people and sounds of Ponsonby and a terrific ensemble cast (headed by an outstanding shiny, happy Paratene), debutant director Rosemary Riddell (whose regular gig is as a district court judge) provides a steady, assured hand on this complex tale of psychiatric life in the brave new world of community care.

    And despite universal themes, this is most assuredly a Kiwi tale. Ray Woolf cameos, Ian Mune plays a drunk and Paratene delivers a classic line when directly asked if he is God; "Nah, just a rellie".

    If there's a weakness it's in the film's tone – it seems unsure of whether it wants to be fantastical like Phenomenon or K-Pax, a knockabout comedy a la Cosi, or deliver the grim realism seen in The Woodsman or Little Children. But what it lacks in consistency it makes up for in intrigue and characters to care about.

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The people's reviews

18 reviews

  • Awesome

     5

    chur

    Nobody (?)

    The Insatiable Moon is a wonderful film....I LOVED it! Check it out, you wont be disappointed d=)

    Agree? Disagree?...
  • Awesome acting! Premo movie.

     5

    Marama Davidson

    Nobody (?)

    Go see it. Kiwi actors rock the whole planet - Rawiri, Sara, Ian, Greg and all the less lead roles. Great story with really relevant themes. You MUST see this movie.

    Agree? Disagree?...
  • Absolutely superb!

     5

    Steve

    Nobody (?)

    Loved this film - one of the best NZ films I've ever seen. Magnificent casting and acting, brilliant story and a real emotional roller coaster. So good to have an intelligent NZ movie that left me thinking for days after. The leads were all wonderful, with a very special performance from Rawiri Paratene, and a gem of a role from Greg Johnson. Hope this film gets the attention it deserves.

    Agree? Disagree?...
  • See it twice!

     4

    Mike Crowl

    Nobody (?)

    The Insatiable Moon is a film that needs to be seen twice. First time around you're trying to take in the way things work in this particular world, and how the story all fits together. A second viewing gives you more time to reflect.

    Arthur (played by Rawiri Paratene) believes he's the 'second son of God.' He lives in a boarding house with a bunch of other people with mental health issues, and is by far the most outgoing and positive of them all. The story explores whether his ability to discern other people's inner turmoils, his belief that God is benevolent to his children, his prophetic words and other insights, are truly charismatic gifts, or merely part of his brain dysfunctions. It challenges us to believe in miracles, in the need for a true belief in God and not just a religious one, and of course, most of all, it challenges us to see people with mental health issues as people loved by God.

    The 'villains' of the piece might be a bit too black and white, but they're mostly minor characters: the really interesting people in this movie are those who have a sense of the spiritual and are willing to follow it even if it causes them pain, or requires them to change long-held attitudes.

    The scene towards the end, when the suburb of Ponsonby rallies for and against having a boarding house for people with mental health problems in its midst, is the climax, but the more important scene comes earlier, at the funeral of one of the boarding house residents. This is where Arthur comes into his own as a prophetic voice, a man who speaks the words of (first) Son of God.

    The other interesting character is the man - Bob - who runs the boarding house: foul-mouthed and short-fused, he nevertheless cares deeply for the men he feeds and cleans up for (seemingly single-handed). This is a vocation for him, rather than a job, although it's unlikely he regards himself as a spiritual man. The 'spiritual' man in the story, the Anglican priest, is at odds with himself and his spiritual life, and seems rather wet by comparison with Bob. It's not that he's meant to represent institutional religion; that would be too simplistic. Rather he's a man in the wrong job, and wisely, by the end of the movie, he's realised it.

    Mike Riddell, the author of the original book and the scriptwriter for the movie, doesn't give us all the answers - although he teases us with possible answers at times. His seven years of effort (along with a host of other supporters, including his wife, who directed the movie after the original director had to pull out) in getting this movie off the ground have borne good fruit.

    Agree? Disagree?...
  • Film of the year!

     5

    Grant Dixon

    Nobody (?)

    A film of many layers that resonate, very poignant! The funeral and protest meeting scenes were particularly powerful, a moving mixture of humour and illumination. Great characters, an Oscar performance by Rawiri, Sara was great, the boarding house owner was real, the vicar true, and the mad inmates superb! I cried a lot – many messages for ‘those with ears to hear’, a true movie for our times, everyone should go and see it!

    A great movie!

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  • Congratulations to the cast!

     5

    Sherry Brady

    Nobody (?)

    Well done on completing this film guys. I know Zac, Christina and Alex worked very hard in their roles, and am looking forward to seeing it based upon what they have told me about the film :) Sherry

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  • Insatiable

     5

    Rebecca Wharton

    Nobody (?)

    Usually a lot of commentary goes with a film that is made into a book. Along the lines of oh did not meet my expecations, or ruined the book. Not the Insatiable Moon top marks for to the team and the writer who proved that a film can be as insatiable as the book.

    A top view and highly recommended.

    Agree? Disagree?...
  • AWESOME

     5

    rae

    Nobody (?)

    this is the best movie i have ever seen!!!, it took all my emotions to the test, i just love it, it has been produced and directed by the most wonderfull couple, with heaps of hard work and toil, it is a must see movie and you wont regret seeing this awesome movie.

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  • Would See it Again

     5

    Bev

    Nobody (?)

    I loved this film. It hung around long after I'd seen it.
    I hope it goes to America. I have a feeling they will love it also.

    Agree? Disagree?...
  • One of the best movies I've seen in a very long time

     5

    T.K. Roxborogh

    Nobody (?)

    This had it all: great cinematography, brilliant acting, quotable quotes, amazing story-telling that avoided the cliche. I cried; I laughed; I cried again. I've been telling all my film buff students to go see it. I loved the honest (raw?) spiritualism in it. Thankyou to all cast and crew for a wonderful film.

    Agree? Disagree?...

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