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The Map Reader

The Map Reader

2008

Small-town New Zealand comedy-drama about Michael (Jordan Selwyn) - a 16-year-old whose passion for maps helps him escape his ordinary life and enjoy a state of isolation from those around him. But there are three women he can’t shut out – his single mother Amelia (Rebecca Gibney), a blind 20-year-old called Mary (Bonnie Soper) and Alison (Mikaila Hutchinson), a friend whose ‘grace betrays darker secrets’ apparently.

Filmmaker Harold Brodie is an American living in New Zealand and the idea of a boy who immerses himself in maps comes from his own fascinations as a child. Music for the film is provided by talented NZ-based blues troubadour Paul Ubana Jones. The Map Reader debuted to sell out theatres at the Austin Film Festival and also won the Spirit Of The Independent award at the Fort Lauderdale International Film Festival.

Starring Jordan Selwyn, Rebecca Gibney, Mikaila Hutchinson, Bonnie Soper

Directed by Harold Brodie

Written by Harold Brodie

Festivals & Awards Fort Lauderdale International Film Festival - Spirit Of The Independent award

Drama | 1hr 30mins | Rated (M) | contains violence and sexual references | Origin: New Zealand | Official Site »

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Flicks review

  •  4

    A story about universal themes but told with an understanding of its local audience, The Map Reader is the latest in a long line of small Kiwi films that punches above its weight.

    Befitting its human concerns, this is driven by the great work of an impressive cast. Jordan Selwyn’s turn (as Michael) is an understated yet palpable study of adolescent apprehension, while functioning as an anchor for several impressive female performances orbiting around him. Rebecca Gibney, as his flighty mother, does justice to the complexity of a woman simultaneously pushing her son out into the world and scared of losing the most important person in her life. Mikaila Hutchison is just the right mix of innocence and knowing melancholy, while Bonnie Soper, Shortland Street’s Morgan, has a memorable cameo as a blind sexpot seductress.

    Writer/director Harold Brodie balances the performances adeptly within the ebb and flow of the story’s shifts through time and there are moments of striking imagery. Plenty to admire here then - The Map reader is another film New Zealand can be proud of.

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The people's reviews

50 reviews

  • speaking of 'burning slime...'

    deb arkles

    Nobody (?)

    congrats on getting yr wee film into the prestigous (ahem...) Las Vegas Film Festival. I defy any member of the public who visits their site to have heard of a single film picked for it. So you're in good company there. but um...well, its another logo to put on all those dvd covers of MAP READER gathering dust in your cupboard. God knows why you seem to equate inclusion in a festival thats under the radar as a sign that your film is brilliant is something you and your ego will debate endlessly.

    Nice to see that a couple of real people here (who paid to see THE MAP READER and werent actually yr employees) saw through yr b.s and posted honest reviews of the films.

    You are an industry joke, outed here forever...you do know that?

    Agree? Disagree?...
  • NO PROBLEM WITH THE PACE OF THIS FILM.. This is an art film not a violent car chase.

     5

    Joan Brown

    Nobody (?)

    AND no I haven't been coerced into manipulation of the ratings or any such NONSENSE. (I don't
    't even KNOW the director!

    Just read some of the other reviews and needed to balance some ignorant and negative attitudes.

    Agree? Disagree?...
  • WHAT's WITH THE NEGATIVITY IN THE REVIEWS - jealousy?

     5

    JoanJett

    Nobody (?)

    This film is a UNIQUE and WELL MADE genuine NZ film.

    Not some rehacked TV soap imitation! NO CONTEST!

    Agree? Disagree?...
  • GREAT NZ FILM

     5

    sonicjett

    Nobody (?)

    Enough other reviews - don't need to add anything except
    REALLY GREAT TO SEE THE FILM IS SHOT IN KAIPARA COLLEGE WARKWORTH NORTHLAND!!

    Agree? Disagree?...
  • works for me

     2

    jeff

    Nobody (?)

    wasnt the fastest paced movie , but a very servicable effort ,, its a New Zealand effort not to be ranked with word wide rankings , more on a homeland basis ,, i gave it three stars and it possible was a 3.5 ,,,loved Rebecca gibney , she does very servicable work jeff

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  • Wayne, I know who you are

    Halle Berry

    Nobody (?)

    You should drop me a line, would like to catch up.

    Agree? Disagree?...
  • Disappointing...

     1

    wayne

    Nobody (?)

    Not only am i unimpressed by this painfully slow and cliche film, I'm equally disappointed by it's producer manipulating the ratings on this site! Unprofessional bordering on desperate. John you have unfortunately been pulled into a no win argument that i believe you would have gained allot more credit by ignoring... A positive: Some nice focus pulls...

    Agree? Disagree?...
  • worst film I've seen in ages

     1

    Nick

    Nobody (?)

    I think Deb went a bit soft on this film. Never in a drunken fit would I give it 4 stars, even if it was edited better, which, God knows, it really needed. Films like this give NZ films a bad name. Uneven, hokey acting, cheesy script, implausible story line, boring and painfully drawn out. I've never written a review before, but this film was so bad I was driven to warn others.

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  • Sarah, did you see...

    Antony

    Nobody (?)

    ...that the editing you did not like was nominated for a NZ Film award?

    Agree? Disagree?...
  • could be better, could be worse!

     2

    Sarah

    Nobody (?)

    I had been waiting to see this film a long time when I finally got it out on DVD the other day. I would have given it a 4 rating if it weren't for one major issue I had with it.
    The story worked. The acting worked (mostly - despite what everyone is saying, I found Jordyn a bit self inhibited/stiff at the start of the film). The music was beautiful and the cinematography really great (especially for the budget!).
    But. The editing! It wasn't that there were bad cuts. It was that the whole film should have been a quarter shorter. I noted that Brodie edited it himself. I know it was his baby, but there should have been someone else sitting there saying "WHAT IS THIS DOING FOR THE STORY!!!!"
    The worst thing was young Michael putting the kite together at the end. Dear God. I lost years of my life watching him fumble around with that thing. It doesn't have to be a montage but it doesn't have to be real time.

    I also felt that at the beginning, sound needed to kick in sooner. Instead the music kept being the only audio, and that became distracting and annoying. That happened on a variety of occasions throughout the film. The music was pretty (talented guitarist!), but what was happening underneath it picture wise was dull dull dull after a while. I just wanted to get on with the story and it didn't.

    It wouldn't take away from the story to cut some stuff, and the cinematography could still be shown off. I know it's a common problem for directors to cut their own work to not really be able to see what isn't working because they love it. But this could be a really great film if it was just a bit tighter!

    Agree? Disagree?...

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Press Reviews

  • Christchurch Press (James Croot)

     3

    This joins The Last Magic Show, Eagle vs Shark and Show of Hands as a solid entry in New Zealand's burgeoning noughties genre of romantic oddities.
    Read full review

  • Dominion Post (Graeme Tuckett)

     4

    This is an odd and vastly likeable micro-budget gem from the Kaipara.
    Read full review

  • NZ Herald (Russell Baillie)

     2

    Coming of age tale loses direction despite map skills.
    Read full review

  • Waikato Times (Sam Edwards)

    Here is a film which will resonate with so many New Zealanders who are having, or who remember, their childhoods and adolescence. Here are moments of sheer absorption as it delivers a New Zealand sensitivity and understanding which is at once a romance of boyhood and a small town idyll, but at the same time, carries with it that darker centre which is part of our culture and our art.

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