Blade Runner 2049 3D
Ryan Gosling stars in the sequel to the Denis Villeneuve-directed sequel to Ridley Scott's sci-fi classic. Returning are Harrison Ford who reprises his role as Rick Deckard and Scott who co-produces.
Thirty years after the events of the first film, a new blade runner, LAPD Officer K (Ryan Gosling), unearths a long-buried secret that has the potential to plunge what’s left of society into chaos. K’s discovery leads him on a quest to find Rick Deckard, a former LAPD blade runner who has been missing for 30 years.
- Director:
- Denis Villeneuve ('Arrival', 'Sicario', 'Enemy')
- Writer:
- Hampton FancherMichael Green
- Cast:
- Ryan GoslingHarrison FordRobin WrightDave BautistaAna de ArmasSylvia HoeksMackenzie DavisCarla JuriLennie JamesJared LetoBarkhad Abdi
Reviews & comments
Colour me impressed!
That old saying, “Film is a visual medium” slams home in what is quite simply one of the greatest sequels of all time. Yup, it’s up there with the second instalments of ‘The Godfather’, ‘Alien’ and ‘Terminator.’ That’s largely due to the stunning visuals of cinematographer Roger Deakins, who quite literally paints with light, creating a multi-coloured...
Variety
pressA visually breathtaking, long-fuse action movie whose unconventional thrills could be described as many things - from tantalising to tedious - but never "artificially intelligent."
Total Film
pressVilleneuve's film is a direct continuation in every respect; it's difficult to imagine anyone - even Ridley Scott - making a better Blade Runner sequel.
Time Out
pressImmersing you in a complete wow, Blade Runner 2049 is the thinking person's sci-fi event of the year.
The Guardian
pressIt just has to be experienced on the biggest screen possible. Blade Runner 2049 is a narcotic spectacle of eerie and pitiless vastness, by turns satirical, tragic and romantic.
Sydney Morning Herald
pressDespite its blockbuster trappings, this Blade Runner is as much an art movie as the first one: slow, idea-driven, and often emotionally remote.
Stuff
pressVilleneuve has taken the double-edged sword of the update and created a Blade Runner 2049 worthy of honouring its ancestor, while bringing it appropriately into the mid-21st Century.
Newsroom
pressAn artform of suspense and enigma that's as compelling and fascinating as it is emotionally distant.
Hollywood Reporter
pressA voluptuous mood bath that's impressively sustained from beginning to end.
Empire Magazine
pressVisually immaculate, swirling with themes as heart-rending as they are mind-twisting, 2049 is, without doubt, a good year. And one of 2017's best.
Variety
pressA visually breathtaking, long-fuse action movie whose unconventional thrills could be described as many things - from tantalising to tedious - but never "artificially intelligent."
Total Film
pressVilleneuve's film is a direct continuation in every respect; it's difficult to imagine anyone - even Ridley Scott - making a better Blade Runner sequel.
Time Out
pressImmersing you in a complete wow, Blade Runner 2049 is the thinking person's sci-fi event of the year.
The Guardian
pressIt just has to be experienced on the biggest screen possible. Blade Runner 2049 is a narcotic spectacle of eerie and pitiless vastness, by turns satirical, tragic and romantic.
Sydney Morning Herald
pressDespite its blockbuster trappings, this Blade Runner is as much an art movie as the first one: slow, idea-driven, and often emotionally remote.
Stuff
pressVilleneuve has taken the double-edged sword of the update and created a Blade Runner 2049 worthy of honouring its ancestor, while bringing it appropriately into the mid-21st Century.
Newsroom
pressAn artform of suspense and enigma that's as compelling and fascinating as it is emotionally distant.
Hollywood Reporter
pressA voluptuous mood bath that's impressively sustained from beginning to end.
Empire Magazine
pressVisually immaculate, swirling with themes as heart-rending as they are mind-twisting, 2049 is, without doubt, a good year. And one of 2017's best.
Colour me impressed!
That old saying, “Film is a visual medium” slams home in what is quite simply one of the greatest sequels of all time. Yup, it’s up there with the second instalments of ‘The Godfather’, ‘Alien’ and ‘Terminator.’ That’s largely due to the stunning visuals of cinematographer Roger Deakins, who quite literally paints with light, creating a multi-coloured...
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