
Flicks, Andreas Heinemann
For his directorial debut, Ben Affleck returns to his native Boston to present a crime thriller about child abduction, paedophilia and ultimately the ambiguity of moral values and the human conscience. Clearly intended to be viewed as a dark human drama as much as a crime thriller, the genre from which many of the film’s strategies and techniques are borrowed from, Affleck has succeeded in winning himself critical and artistic acclaim that has eluded him since Good Will Hunting set him up as one of Hollywood’s next major talents over a decade ago.
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