How to Talk to Girls at Parties

How to Talk to Girls at Parties

How to Talk to Girls at Parties

An alien (Elle Fanning) touring the galaxy breaks away from her group and meets three mates mates in the most dangerous place in the universe: the London suburb of Croydon in 1977, the center of the punk revolution. From the director of Hedwig and the Angry Inch, based on a short story by Neil Gaiman. Nominated for the Queer Palm nominee at Cannes 2017.

2017102 minsUSA, UK
ComedyMusicRomance
88%
want to see

Reviews & comments

Vulture

Vulture

press

The film looks dreadful, and the CG effects are a legitimate eyesore: An opening animated sequence is so tacky, it took me a while before I realized it wasn't just another logo animation for a random film fund.

0
Variety

Variety

press

The film enunciates its raw themes - punk means individuality! the aliens are all about conformity! - but never begins to figure out how to embody those themes in a narrative that could lure in the audience.

0
The Telegraph

The Telegraph

press

An unfortunate amount of the enjoyment began and ended on set.

2.0
0
The Guardian

The Guardian

press

The director's lost and his panic is contagious.

2.0
0
Screen Daily

Screen Daily

press

It's all a bit mad, but ultimately rather moving.

0
Hollywood Reporter

Hollywood Reporter

press

There's too little narrative cohesion or persuasive subtext to make this much more than a low-budget folly that's outre without always being terribly interesting.

0
Collider

Collider

press

The cinematic energy that permeated the screen in both 'Hedwig' and its follow-up, the oft-forgotten 'Shortbus', is completely missing here.

0
Vulture

Vulture

press

The film looks dreadful, and the CG effects are a legitimate eyesore: An opening animated sequence is so tacky, it took me a while before I realized it wasn't just another logo animation for a random film fund.

0
Variety

Variety

press

The film enunciates its raw themes - punk means individuality! the aliens are all about conformity! - but never begins to figure out how to embody those themes in a narrative that could lure in the audience.

0
The Telegraph

The Telegraph

press

An unfortunate amount of the enjoyment began and ended on set.

2.0
0
The Guardian

The Guardian

press

The director's lost and his panic is contagious.

2.0
0
Screen Daily

Screen Daily

press

It's all a bit mad, but ultimately rather moving.

0
Hollywood Reporter

Hollywood Reporter

press

There's too little narrative cohesion or persuasive subtext to make this much more than a low-budget folly that's outre without always being terribly interesting.

0
Collider

Collider

press

The cinematic energy that permeated the screen in both 'Hedwig' and its follow-up, the oft-forgotten 'Shortbus', is completely missing here.

0