Nomadland

If films like this are being made, about characters like this, in situations like this, then maybe all is not lost.

The perfect film for 2020.

Frances McDormand’s performance is immaculate...

By juxtaposing beautiful vistas filled with promise, a rotted social safety net, and the scrappy itinerant workers navigating the space in between, Zhao generates a gradually swelling tension underneath her film’s somewhat placid surface.

Nomadland relishes the nomads’ expansive universe, emphasizing the contrast between gaining freedom from society while feeling estranged at the same time.

Zhao collaborates with a major-name actor for the first time in Nomadland, guiding Frances McDormand to a remarkable performance of melancholy gravitas, so rigorously unmannered she's indistinguishable from the real-life nomads with whom she shares the screen.

A movie that finds poetry in the story of a seemingly average woman. It is a gorgeous film that’s alternately dreamlike in the way it captures the beauty of this country and grounded in its story about the kind of person we don’t usually see in movies. I love everything about it.

Nomadland isn’t a manifesto — there’s nothing dutifully somber about it. And although it doesn’t romanticize life on the road — for one thing, it shows that you need to be comfortable defecating in a bucket — joyousness is its chief characteristic. Like "The Rider," it’s a window into a specific world, with one key character as a guide.

For those on Zhao’s wavelength, the movie is a marvel of empathy and introspection.

It’s extraordinary how a work like Nomadland can hold a mirror to society and refract back to the audience the light of their own lives.

Chloé Zhao’s Nomadland is an utterly inspired docu-fictional hybrid, like her previous feature The Rider. It is a gentle, compassionate, questioning film about the American soul.

The sheer compassion of Zhao's direction is one of the film's most elemental pleasures, while McDormand is one of those rare actors who can somehow make the act of listening as thrilling as a barnstorming speech.

Through these characters, Zhao is able to examine the idea of wide-open frontiers without nostalgia or the need to pathologize the parts of our social structures that are eroding or have failed.