
Flicks, Liam Maguren
The opening shot of director Stephen Frears’ follow-up to the wonderful Philomena sees world-famous cycling cheat Lance Armstrong pedalling uphill by himself on a seemingly endless road. This beautifully framed scene smartly represents the character’s impossible-to-meet standards of satisfaction while perfectly illustrating the isolation he created for himself. The act also represent the film itself: procedural and forgettable, but not a total waste of time.
Full review