Flicks, Luke Buckmaster
Sorkin seems to have written the cuts between these scenes into the dialogue, which is not something you see (or hear) all that often—using audio as a form of editing. He does this by slicing off the end of a line then whooshing to a different character, in a different location, to take the line in another direction while maintaining the fluidity of the sentence. Take the following segue, from a serious and sombre Hayden in the lecture room to a jokey Hoffman speaking to a more relaxed group.
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