
Film School Rejects
Entertaining action, a little heart, and more goofy laughs than all four previous McCarthy/Falcone comedies combined.
Full reviewOscar veterans Melissa McCarthy and Octavia Spencer lead this comedy as two childhood friends living in a world where supervillains are commonplace. When one of them discovers a way to grant themselves powers, the duo become a crime-fighting force to be reckoned with. However, as they'll soon learn, hero-ing isn't as easy as it looks. Co-stars Bobby Cannavale as The King and Jason Bateman as a man-crab.
Entertaining action, a little heart, and more goofy laughs than all four previous McCarthy/Falcone comedies combined.
Full reviewHas a decent share of laughs and a shrewd science fiction premise behind it.
Full reviewMelissa McCarthy and Octavia Spencer are no match for lazy, gross-out jokes and mediocre action sequences.
Full review(Has) an indolent script with only a handful of funny lines and a seeming confusion over its target audience.
Full reviewAdults... will be bemused at just how little there is to like about a film starring two of their generation’s most likable actresses, while teens and younger will be bored beyond belief by the lame gags, herniated action and tacky special effects...
Full reviewThunder Force isn't clever enough to break new ground in the superhero milieu, nor is it silly enough to mine its material for the kind of jokes that would make it distinctive.
Full reviewWith such powerhouses as McCarthy and Spencer at the helm, it's a surprise that so much of the film is inert, rote, conventional.
Full review(Octavia Spencer) looks bored throughout, which is precisely the half-considered, phoned-in performance this material deserves.
Full reviewIt’s corny when it needs to be edgy and stupid when it needs to be clever.
Full reviewThe one thing unlikely to be heard during this Netflix superhero spoof is a whole lot of laughter.
Full reviewWobbles between half-baked comic-strip sendup and half-hearted valentine.
Full reviewHow can people who purport to love comedy so much turn out something so lackadaisical and joyless?
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