Dvd

A Serious Man

A Serious Man

2009

The masterful Coen brothers (No Country For Old Men, The Big Lebowski) present a black comedy set in 1967, about Larry Gopnik, a physics professor who watches his life unravel when his wife leaves him.

If that wasn't enough, Larry's inept brother (Spin City's Richard Kind) won't move out of the house, his son has a discipline problem, his daughter's stealing his money for her nose job, somebody is trying to sabotage his university career and his neighbour sunbathes nude. Larry turns to three rabbis for advice...

Starring Michael Stuhlbarg, Richard Kind, Simon Helberg, Adam Arkin, George Wyner, Katherine Borowitz, Fyvush Finkel

Directed by Ethan Coen, Joel Coen ('Burn After Reading', 'No Country For Old Men', 'The Man Who Wasn't There', 'O Brother, Where Art Thou?', 'The Big Lebowski', 'Fargo')

Written by Ethan Coen, Joel Coen

Cinematographer Roger Deakins ('The Reader', 'No Country For Old Men', 'Jarhead', 'The Shawshank Redemption')

Music by Carter Burwell ('Burn After Reading', 'In Bruges', 'Before the Devil Knows You're Dead')

Comedy | 1hr 46mins | Origin: USA | NZ Distributor: Paramount Pictures

The Peoples voice

  •  4

    You can't take this movie too seriously. It is like a homage to middle-class Jewish American life in the 60s.

    By Mark

  • comedy?

     2

    this movie was really boring to watch and dull, there is nothing funny about it, maybe it's funny because of how serious everyone in the movie is.

    By FilmCritick

  • lisa you dont know what your talking about

     4

    The first scene does have relevance when that women rids the evil spirit that is reference to larry accepting the money from the student therefore he accepts evil and bad things happen. Most people like me and some wise critics love this movie and think this is one of the coens best you obviously no nothing about film, go back to watch some crap like twilight that your little brain would probably love it

    By Philip Moore

  • Take a look in the mirror

     5

    Inspired! The last song alone is worth the trip. Excruciatingly demonstrates the utter absurdity of life. Wry, dry, witty and satirical; affords insight into cultural clashes, religious rituals and treasures. Like watching the car-crash of your own life whilst being unable to intervene. Larry's on a downward spiral, but we take the ride with him and feel his foibles as our own. Reminiscent of Alan Bennett in a "Talking Heads" sort of way.

    Magical music.

    By Maggie O'Brien

  • Modernity, in a nutshell

     5

    Yeah, it's totally American and totally Jewish and it's the closest we have to an autobiography of the Coen Brothers. The whole message of this movie is in the refrain, "I didn't do anything". Life happens to us schmucks, it comes from where we least expect it, it's almost always bad, and no - we don't deserve it because, well, shit - I didn't do anything - to deserve it. So actually the ending is completely cathartic, and it's wonderment is totally comprehensible. It just makes you want to jump off a bridge. But then, it's a Coen Bros movie.

    By Mike Wilson

  • Bad bad bad bad!

     1

    My two friends and I went to this movie last night based on the good reviews from this website.
    Basically we all thought it was terrible (and so did a few others in the theatre from what we heard).
    Long, very little happened during the movie; throughout the theatre there was hardly any laughter; no ending and the opening scene had no relevance to the rest of the movie at all.

    Would not see again.

    By Lisa

  • OUTRAGE!!

    Why isn't this movie playing downtown? ...give up reviewing Paul

    By Frey

  • Incomprehensible, yet wonderful

     4

    This was a very compelling film, it's incomprehensible. You're left wondering - 'what does it mean'? I left feeling a bit unsatisfied, but I keep thinking about it and the more I think about it the more I like it. I'd see it again.

    By Paul

  • Please tell me this is playing somewhere other than New Market, in the whole of Auckland!?

    By Shay

 Collective Voice    0000000000004.00

Your review has been posted, you have spoken, and for that we thank you. – Ed.

Tell us all that is right or wrong with this flick:

  • 1 2 3 4 5

Press Reviews

  • Chicago Sun Times (Roger Ebert)

    Have I mentioned A Serious Man is so rich and funny? This isn't a laugh-laugh movie, but a wince-wince movie. Those can be funny too.
    Click to read the full review

  • Empire (UK)

    5 5 out of 5 stars

    Admirably low-key, deeply compelling and their warmest movie since Fargo.
    Click to read the full review

  • Hollywood Reporter

    A seriously funny film about an angst-ridden Jewish professor seeking the answers to life's questions and getting a metaphysical pie in the face.
    Click to read the full review

  • New York Times

    The story is at once hilarious and horrific, its significance both self-evident and opaque. The same could be said of most of the Coen brothers’ movies, in which human existence and the attempt to find meaning in it are equally futile, if also sometimes a lot of fun. (For us, at least.)
    Click to read the full review

  • NZ Herald (Peter Calder)

    3 3 out of 5 stars

    But it's finally more grim than funny and leaves us with the same uncomfortable feeling that Burn did: that the boys are more interested in their own amusement than their audience's.
    Click to read the full review

  • Rolling Stone (USA)

    This seriously funny movie, artfully photographed by the great Roger Deakins, is spiritual in nature, barbed in tone, and, oh, yeah, it stings like hell.
    Click to read the full review

  • Time Out (New York)

    5 5 out of 5 stars

    See this film immediately.
    Click to read the full review

  • Total Film (UK)

    4 4 out of 5 stars

    A complex, non-commercial Coen film that strips back the stars for an absorbing, affectionate look at the Bros’ youth. It keeps much at arm’s length, but with Stuhlbarg holding the disorder in check, A Serious Man will be a serious contender for Coen fan Top Fives.
    Click to read the full review

  • Variety (USA)

    One doesn't know how (auto)biographical any or all of this is, but there's a tartness to the telling of what amounts to a well-shaped series of anecdotes that bespeaks distant pain or, at least, wincing memory twisted into mordant comedy by time and sensibility.
    Click to read the full review

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