Dvd

Broken Embraces (Los abrazos rotos)

Broken Embraces (Los abrazos rotos)

2009

Spanish master filmmaker Pedro Almodóvar directs a tale that unfolds in two periods: flashing back and forth between the present day and 1994. Lluís Homar plays Mateo, a former film director who lost his sight in a car crash. Now he writes screenplays under his pen name ‘Harry Caine’. A newspaper obituary of a shady financier, Ernesto Martel, triggers memories of his movie-making career in the 90s: Martel bankrolled Mateo's final movie on condition that his mistress (Penélope Cruz) was given the lead.

Starring Penélope Cruz, Lluís Homar, José Luis Gómez, Blanca Portillo, Rubén Ochandiano

Directed by Pedro Almodóvar ('Bad Education', 'Talk to Her', 'All About My Mother')

Written by Pedro Almodóvar

Thriller, Romance, Drama | 2hr 8mins | Rated (M) | contains sex scenes, offensive language and drug use | Origin: Spain

Flicks review

  • Spanish auteur Pedro Almodovar will be looked back on as one of the previous decade’s preeminent filmmakers. While this piece isn’t quite the bona fide classic some of his earlier efforts have been, it’s a strong highlight reel of his trademark qualities and magnificent showcase for Penelope Cruz.

    The style and structure are informed in equal measures by moody melodrama and Hitchcockian suspense, a combination that results in layered, unpredictable storytelling. Further heightening the genre-bending exercise are the vivid use of colour and elegant production design. The resulting dazzling artifice has a near narcotic effect on the viewer, drowning us in stylistic panache where every frame is a carefully composed piece of art in its own right.

    Almodovar’s prowess is personified by Cruz’s star turn. She is able to perfectly capture the emotional cues of the script with even the most understated of action and is comfortable expressing the sensuality inherent to the story.

    This is a film aimed at pre-existing Almodovar fans, evidenced by references he makes to his earlier works throughout. However, the director has now mastered his personal bag of tricks to a level where even the uninitiated will come away savouring certain moments.

    By Andreas Heinemann, Flicks.co.nz

 Our Rating       4

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Press Reviews

  • Chicago Sun-Times (Roger Ebert)

    A voluptuary of a film, drunk on primary colors, caressing Penelope Cruz, using the devices of a Hitchcock to distract us with surfaces while the sinister uncoils beneath. As it ravished me, I longed for a freeze frame to allow me to savor a shot.
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  • Empire Magazine (UK)

    4 4 out of 5 stars

    Gorgeous and seductive, if pitched at Almodóvar fans and perhaps a touch long. Those drawn by Cruz’s divadom will wonder why it takes so long to get to her -- though she is wholly dazzling when it does.
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  • Hollywood Reporter

    This is a pretty minor film from the filmmaker. It feels like more of an exercise in plotting and movie nostalgia than a story about real people.
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  • New York Times

    Broken Embraces leaves the viewer in a contradictory state, a mixture of devastation and euphoria, amusement and dismay that deserves its own clinical designation. Call it Almodóvaria, a syndrome from which some of us are more than happy to suffer.
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  • Rolling Stone (USA)

    Cruz exudes a sensual aura of mystery that holds you spellbound. And Almodóvar, a true poet of cinema, creates images -- horrifying and healing -- that live inside your head like a waking dream. You want to miss a movie like that? I didn’t think so.
    Click to read the full review

  • TV3 (Kate Rodger)

    3 3 out of 5 stars

    Cruz is fabulous as she always is under Almodóvar’s watchful generous eye, and while this latest outing of theirs didn’t resonate as much as their last, Volver, it was still a very pleasurable experience.
    Click to read the full review

  • Variety (USA)

    A restless, rangy and frankly enjoyable genre-juggler that combines melodrama, comedy and more noir-hued darkness than ever before, the picture is held together by the extraordinary force of Almodovar’s cinematic personality.
    Click to read the full review

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