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I'm Not There

I'm Not There

An experimental-type biography of Bob Dylan, employing six different actors to embody Bob - including a woman and a Richard Gere. Needless to say, it's got a hell of a soundtrack.

All right, here goes… A young, Bob (Marcus Carl Franklin), in 1959, rides the rails '30s-styles and identifies himself as a Woody Guthrie. He is admired for his talent wherever he travels, until he is upbraided one day by a wise lady who admonishes him to "Live in your own time". And so, he (now Christian Bale) moves to Greenwich Village, New York and takes the scene by storm with the likes of “The Times They Are A-Changin”. He (now Heath Ledger) moves on to star in a Hollywood film called ‘Grain of Sand’, and gets married to Claire (the always great Charlotte Gainsborough). Then! Bob (now played by Cate Blanchett) tours England, and starts to play with his guitar plugged in. In Britain he meets the likes of Allen Ginsberg (David Cross) and the Beatles, as well as straying from his wife and dealing with a crafty journalist trying to expose him as a fraud.

Starring Christian Bale, Cate Blanchett, Richard Gere, Heath Ledger, Ben Whishaw, Marcus Carl Franklin, Charlotte Gainsbourg, Julianne Moore, Michelle Williams, David Cross

Directed by Todd Haynes ('Velvet Goldmine', 'Far from Heaven')

Written by Todd Haynes, Oren Moverman

Festivals & Awards Winner for Best Supporting Actress (Blanchett); Golden Globes 2008

Drama, Music, Biography | 2hr 15mins | Rated (M) | sex scenes, offensive language | Origin: USA

Flicks review

  • The musical bio-pic is experiencing a resurgence as of late. Ray, Walk the Line and La Vie En Rose have all collected Oscars for their principle cast members, while the first two grossed heavily at the box office. The next film of this ilk to emerge is I’m Not There, maybe the most eagerly awaited of them all. For a start, the subject is Bob Dylan who has a following of fans and pop-cultural significance matched only by maybe a Lennon or Presley. Furthermore, Todd Haynes, who comes with a reputation of creative individuality (evidenced by his decision to portray Dylan with a range of actors, the facet that has drawn the film the most attention) helms the piece.

    All the actors utilised acquit themselves well and through this device Dylan is successfully portrayed as a complex individual who went through many personal changes. Cate Blanchett’s portrayal of mid 60’s folk-rock era Dylan has garnered the most praise and it is all justified. Her performance is more than a ‘butch it up’ gimmick, she captures his mannerisms expertly and is also convincing in portraying the broadest range of emotions demanded of any cast member. Heath Ledger shows what a massive loss he is to the movie going public, whilst Christian Bale was impressive in the shorter amount of screen time he was allowed. Meanwhile, the child actor (Marcus Carl Franklin) who played Woody Guthrie almost upstages all his more well-known cast members.

    Todd Haynes supplements the fine acting with almost every cinematic trick in the book. Most are them are effective in giving the film an adventurous visual quality, with only the mockumentary sequences falling short of the mark. A friend suggested they were reminiscent of folk music comedy A Mighty Wind and in retrospect I think he was right, which is a significant drawback when the moments in question were intended as deadly serious.

    Somehow, the film as a whole is less than the sum of its admittedly impressive parts. Part of this may be due to the story it tells. It wanders from episode to episode without a strong progression of events, which becomes an issue the further we go into the two hours plus running time. It is a long film, and by the end it seems like it is being dragged out for no particular reason. Added to this is the desire to recreate, even reinforce, the mythology that surrounds Bob Dylan. It is more concerned with preserving his aura than telling the audience anything about the man, a desire that could have been satisfied with a briefer piece of work.

    Dylan’s legion of fans will no doubt herald it as an artistic triumph. The casual viewer, however, may be left impressed by the craftsmanship but wondering what exactly was the point of I’m Not There.

    By Andreas Heinemann, Flicks.co.nz

 Our Rating       3

The Peoples voice

  • WORST MOVIE EVER 0 STARS

    it sh1ts me how people can rate this movie, yyyyyyyyyyy do u people have a clue? the most jibberish filled, incoherent, dogs breakfast of a movie of all time, when it finished the whole theatre breathed a collective/ huuuuuge sigh of relief when it finished and old ladies where using capsicum spray get to the exit first. i guarantee you will want to kill yourself via a lethal injection of draino when (if you can sit through it) youve finished watching it. never before will you be completely and utterly baffled by the use of '6 bob dylans' none of which look the same (1 is a 6yo black boy set in the 1800s and one is richard gere set in the 1700s in a town with effing circus animals running round!!!!!!!!!!!!!!!!!!!!!!!!). no connections are made between the 6 characters either you just sit there dribbling into your popcorn wondering why the director keeps flashing between the characters at random intervals (usually < 1 minute) and how a bunch of semi respectable actors could basically lend there name to a script which was obviously written as follows: 6yo bob dylan (nobody is called bob dylan in the movie BTW) picks up his hat and begins walking towards a door. flash to richard gere riding a giraffe from out the front of a wild west salloon. flash to cate blanchett in the back of a car looking out the window etc. etc. and the dialogue holyyyyyyyyy s, the dialogue is basically as random as the scene changes. i you found this movie good, please, oh please send me the address of your dealer/ your doctor who preformed your lobotomy you peanut
    Cheers bloodninja

    By bloodninja

  • Another Blanchet coup

     4

    This is a beautiful movie. Cate Blanchett is brilliant and does justice to the 1960's Dylan in the Pennebaker documentary. The Dylan in this film is an enigma like Dylan himself. That's the point. It's creative and provocative. It's not a bio pic.

    By dylan fan

  • WOW!

     4

    I was blown away! A stunning film, filled to the brim with talent, great cinematography and enjoyment!
    Amazing! You'll never see a better version of Dylan than Cate Blanchett!

    By Talk about skill!

  • not for the popcorn movie goer!!!

     4

    this movie was wonderful , the portraying aspects of dylans personas and life's events through different film grades was aesthetically pleasing , and the actors and actresses performances were top notch , special mention of cate blancett's performance whose likeness to dylan was uncanny . for those thinking of seeing this movie for a full biography of a musicians life like what walk the line did , this is probably not the movie for you it is more poetic and is created to evoke not inform.

    By sarahP

  • Three cheers for ambition, but ultimately too hard to engage with.

     4

    The elliptical tracks can bore or lose you too easily. But it beats Ray by a mile.

    By Robert I.

  •  1

    This has to be one of the most disappointing movies of all time. Unless you are a huge Bob Dylan fan and very much 'in-the-know', avoid this film at all costs. The constant to-ing an fro-ing between apparently unrelated characters made me feel like I was watching a film made by an undergraduate student attempting to impress a pretentious lecturer. I consider myself in the majority when I say that I go to the movies to be entertained, rather than frustrated and bored and for that reason alone this film has to rank as one of the worst I have ever watched. Blanchett is good, though, I think - amongst the rambling context of the movie it's hard to really know how good her performance was!

    By PottedMeat

  • Bob was Bob was Bob.

     3

    This was very dissapointing. I'm a big Bob Dylan fan and had very high expectations... but it didn't cut the mustard. The mustard remained very much intact. The feeling stuck me that when Bob Dylan said some of the stuff he said, it was fascinating and so engaging because of him, he was authentic. So put those words in an actors mouth and it just comes out silly, or try hard or something. Maybe because I've seen Dylan say it first... just didn't work.

    Heath Ledger/Charlotte Gainsborough sequences were fabulous though. Tribute to what a loss Ledger's death is. I'll applaud the film for its ambition, but ultimately a failure. I say.

    By JPeterman

 Collective Voice    0000000000003.50

Your review has been posted, you have spoken, and for that we thank you. – Ed.

Tell us all that is right or wrong with this flick:

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Press Reviews

  • Christchurch Press [Margaret Agnew]

    3 3 out of 5 stars

    I'm Not There may have been ''inspired by the music and many lives of Bob Dylan'' and certainly this filmic experiment will add to the mythologising of the singer, but sadly it fails to be inspiring of anything other than weariness over more than two hours. Fascinating for big Dylan or Todd Haynes fans only.
    Click to read the full review

  • Empire Magazine [UK]

    4 4 out of 5 stars

    An extraordinary attempt to encapsulate the many faces of Bob Dylan that plays better to the convert than the sceptic. Like the nasal twang of the man in question, the film finally beguiles more than it irritates.
    Click to read the full review

  • FilmThreat.com [USA]

    5 5 out of 5 stars

    What Haynes has essentially done is create a film that is a Bob Dylan song, one of his best.
    Click to read the full review

  • NZ Herald [Peter Calder]

    4 4 out of 5 stars

    The film's non-linear structure and the haunting, brilliant final shot announce that this is neither biography nor documentary. It's a exhilarating, poetic rumination on the most enigmatic, charismatic figure in modern music. And, like any Dylan album you want to name, it is a work of at least partial mastery.
    Click to read the full review

  • Rolling Stone [USA]

    So what if nothing is revealed. Todd Haynes is a mischievous visionary who puts the music and the myth of Bob Dylan before us in I'm Not There and dares us not to revel in the troubadour's poetic, contentious, ever-changing essence. It's a feast for the eyes, the ears and the Dylanologist scratching around our minds and hearts.
    Click to read the full review

  • San Francisco Chronicle

    Anyone can make a bad movie, but it takes a good filmmaker to make one as bad as I'm Not There.
    Click to read the full review

  • Total Film Magazine [UK]

    4 4 out of 5 stars

    A fascinating work for cinema and Bob Dylan fans alike. Haynes has painted a perfect picture tribute to the musical icon that only misses a beat in the final quarter. One actor simply couldn’t do the man justice...
    Click to read the full review

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