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Julia's Eyes, Movie

Julia's Eyes (Los ojos de Julia) 2010

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You can't hide in the dark.

Spanish psychological thriller about a woman investigating the mystery of her twin sister's murder, produced by Guillermo del Toro (Pan’s Labyrinth). More

"When a young woman, suffering from a degenerative eye disease, discovers her sister hanged in the basement of her house everything points to suicide. Itched by other suspicions, Julia (Belén Rueda, The Orphanage) intuitively feels this is a murder case and embarks on a dark journey where the emanating light is literally fading to a flicker at the tunnel’s twisted end. As Julia begins to uncover the terrifying truth about her sister’s death, her sight deteriorates, blurred between a series of unexplained disappearances, deaths and her own struggle for survival." (Official Synopsis) Hide

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46 votes / 5 comments The Talk

  • 54 %

    Want to See it

    What say you?

    • Frodo

      I want to hear more about sam

    • Red

      Guillermo del Toro is a seal of quality.

    • acer

      interesting.....

    • Dave

      Loved the Orphanage, so if this is similar than def want to see it.

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Flicks.co.nz Review

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Matt Glasby Flicks Writer

Spain makes some of the best horror movies in the world right now (see RECs 1 & 2 and The Orphanage) because its film-makers aren’t afraid of lavishing technical finesse on genre flicks. So it is with Julia’s Eyes, a Guillermo Del Toro production with gorgeous, inky-blue cinematography and The Orphanage’s phenomenal Bélen Rueda in the title role. For the first hour, as Rueda investigates her blind sister’s suicide while worrying about own fading vision, director Guillem Morales nudges greatness. More

Like the ‘giallo’ films of Dario Argento – brilliantly twisty Italian thrillers that revel in their lurid unlikeliness – the film shows Julia encountering all manner of creepy suspects (the squinty next-door neighbour with a hunchback, the janitor whose name means ‘Twilight’) in all manner of darkened corners. There’s a terrific subterranean chase lit only by mobile phone and camera flash, and a great scene in a changing room full of witchy blind women, although the way the film equates sightlessness with spookiness veers towards uncomfortably close to offensive.

Come the halfway mark, however, Morales can’t decide between Hitchcockian suspense and outright horror, and the film gives in to its heroine’s hysteria. For reasons best known to the scriptwriter, Rueda finds herself alone, blind and helpless in a house she suspects has claimed two lives already. It’s the set-up of a forgettable slasher, rather than something this sophisticated, and though it pays off with some suitably creepy moments, the film never quite manages to claw its credibility back, ending up less than the sum of its excellent parts. Hide

The People's Reviews

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Press Reviews

Empire (UK)

It's overlong but Del Toro acolyte Rueda brings some much atmosphere and suspense that you'll barely notice. Full review.

Guardian (UK)

A fascinating, broken-backed picture full of riveting twists and dubious psychology. Full review.

Hollywood Reporter

Evocatively underlit scenes and subtle digital effects nicely mimic Julia’s failing eyesight. Combined with the more gothic elements — creepy houses, stormy nights and distorted camera angles — the overall effect is pleasingly chilling. Full review.

Little White Lies (UK)

Edge-of-the-seat viewing from start to finish. Full review.

Total Film (UK)

Pulls off at least one must-see: a virtuoso sequence evoking Julia’s blindness, with nearly every shot locked onto Rueda’s face. Full review.

Variety (USA)

Stylish chiller that leads the viewer up a satisfying number of blind alleys. Full review.