Out now on dvd/blu-ray

Waltz with Bashir, Movie

Waltz with Bashir 2008

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Unlike any animated film you'll have seen before, Waltz with Bashir is a drawn documentary based on filmmaker Ari Folman's own experiences, as a drafted Israeli soldier in abetting a 1982 massacre of Palestinian refugees during the Lebanon War. More

While trying to work his way out of a severe depression from the war, Folman contacted many of his former military comrades, along with a psychiatrist friend and a neurologist who specializes in memory impairment. The film combines pieces of these interviews with fragmentary episodes drawn from their memories and dreams.

To read more on the Sabra and Shatila massacres, see here. Hide

Starring: Ari Folman, Ori Sivan, Roni Dayg, Shmuel Frenkel, Ron Ben Yisahi

Directed by Ari Folman ('Made in Israel')

Written by Ari Folman

Festivals & Awards Best Foreign Film - Golden Globes 2009. Best Documentary - Directors Guild Awards 2009.

Animated, Biography, Drama, True Story, War, Historical | 1hr 27mins | R16 | violence, offensive language, sex scenes and content that may disturb | Country of Origin: Israel, France, Germany | Language: Hebrew with English subtitles | Official Site

DVD / Blu-Ray

DVD

$29.99

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Flicks.co.nz Review

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Andrew Hedley Flicks Writer

Don’t miss this brilliant film in the end-of-year rush. Based on filmmaker Ari Folman’s recollection of being an Israeli soldier in the Lebanon war of 1982, Waltz with Bashir is an animated pseudo-documentary that remains highly personal yet strange and unsettling.

The autobiographical film follows Folman as he meets up with old faces from the past (including a psychiatrist friend), trying to regain the parts of his memory lost to post-war trauma. It’s not so much a history lesson, but rather a very human perspective on the shit storm that resulted in the deaths of three thousand Palestinians in the Sabra and Shatila refugee camps (see Wikipedia).

The surreal animation style works brilliantly, capturing a haunting dreamlike quality - more an evocative representation of mood than a literal re-enactment of events. 80s period details, such as This Is Not A Love Song by Public Image Limited on the soundtrack, place the film in a nostalgic context.

If at times the flickery hand-drawn images create a distancing barrier between film and audience, the final few horrific images of real-life video footage push through that curtain to devastate us with the truth.

Waltz with Bashir is a pick for one of the most fascinating films of the past year. Interesting not only for the way it is presented, but also in the way it evokes a mournful mood of regret with such clarity. See it.

The People's Reviews

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4 ratings and 4 reviews

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The best film I've seen all year.

G. Dellabarca Nobody (?)

Intelligent, gripping, powerful, visually mesmerizing, I just love this movie. Hands down the best film I've seen all year, and I've seen well over a hundred.

It's about an ex-Israeli soldier who can't remember anything from the Lebanon war. He decides to try and get his memories back by talking to old friends who served with him. As they tell their stories, the fog starts to lift and eventually his memory comes flooding back.

WALTZ WITH BASHIR was first shot as a traditional documentary, and the voices from those interviews and discussions are the ones in the film. The final visuals are all animated though, and what beautiful evocative animation it is. The images brought to life are gritty but bathed in a vaguely dream-like light. For me it perfectly captures the way your memory slightly distorts things.

It's also a history lesson, as I knew nothing about the 1982 Israeli invasion of Lebanon before watching the film. The arbitrary destruction that transpires is shocking and it's depiction makes this a powerful anti-war movie.

WALTZ WITH BASHIR played at Cannes this year, and it won Best Animated Feature at the Asia Pacific Screen Awards. This film is the Israeli entry for Best Foreign Film at the upcoming Oscars where it is hotly tipped for the award. Go see it and find out why.

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Pul-eeease!

keeshy Flicks Superstar (?)

No, no, no. No visual or conceptual charm in this film for me. I fell asleep due to utter boredom. The animation was simplistic and dull, and served to distance the viewer from any attachment to the narrative, although the stories themselves had the potential to be very moving. My partner loved it as he understands war, follows middle eastern politics and loves documentary. Nada for me on all three accounts - I went because the reviews were so good - but surely this film would only appeal to those ticking the boxes above, Instead I was disappointed and grumpy.

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Gripping but underproduced

maetl Nobody (?)

Going on emotional and intellectual content alone, this is a must-see historical and personal journey.

Animation and production leaves a lot to be desired, and the soundtrack is choppy and abrupt in parts, but the roughness fits ok with the theme. If you accept the style, you get used to it about a 1/3rd of the way in, as the dream-like imaginings start to transform into real memories.

The piecing together of memories works in tandem with a pseudo-documentary format to provide a complete picture. If you need perfectionate attention to detail, you will be disappointed - this is no obsessive anime masterpiece, but it is an interesting, unique, and very moving slice of cinema.

You could judge parts of the depiction of events as having a certain bias, but it presents the events up front in a way that has not been done before from an Israeli perspective - a story about individual human beings rather than the abstraction of "army" or "state". The use of 'Nazi' as a reference was subtle and carefully placed to explode in the audiences minds: like domestic violence on a smaller scale, this cycle of war keeps repeating and repeating and repeating. As a historical piece and a reminiscence, there are no answers, just the futility and rage of the hell on earth that they have created.

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A lesson in history.

Mark Nobody (?)

Excellent movie. I remember watching the events on the TV news so that made it more vivid. My 11 and 12 year old boys were fascinated - they loved the animation and the quirky representation of autobiographical accounts of modern history.

Yes, the animation is a bit simple probably due to commercial restrictions - not enough time and money - but it suits the style of the narrative.

Good use of music and a variety of animation techniques.

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Press Reviews

Hollywood Reporter

Though the film is being promoted as an examination of the Christian Phalangist massacres of Palestinians in the Sabra and Shatila refugee camps, these are not mentioned until one hour into the film. Nor does it break any ground politically, since the culprit who is rather mildly rebuked, Ariel Sharon, was condemned by an official government committee decades ago for his part in allowing the massacres to happen. Full review.

Lumiere Reader [Wellington]

A fine achievement in filmmaking, with the director’s decision to animate the feature lending it an extra layer of metaphoric complexity. If you have a chance to catch this excellent work, be prepared for an emotionally harrowing experience that will likely stay with you for some time. Full review.

Urban Cinefile [Australia]

Pensive and melancholy, this haunting and remarkable film from Ari Folman hones in on memory and how stimulating triggers unlock a traumatic war-experience previously blocked by the subconscious. Animated in a similar style to the rotoscope that Richard Linklater used in Waking Life, the visuals are striking with an emphasis on richly depicted sepia shades and the use of moving shadows. Full review.