A Ghost Story

A Ghost Story


It's all about time.

Casey Affleck posthumously returns to his home as a spirit and tries to reconnect with his former lover (Rooney Mara) in this David Lowery drama.... More

"Lowery's meticulously sparse narrative contemplates a spectral figure who was once a man (Affleck). Prematurely taken from this Earth, he makes his way toward his former home, where he is fated to remain forevermore. Shrouded in a white sheet, he observes the lament of his grief-stricken lover (Mara). Bearing unseen witness to her pain, the wisp stands sentry for years to come, interacting only with time as it hurtles further and further forward, the remnants of his humanity quietly evaporating." (Sundance Film Festival)Hide

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Flicks Review

One of the – many – things that marks David Lowery’s A Ghost Story out from the pack is that it centres on a songwriter (Casey Affleck) who’s actually pretty good. The composition he plays halfway through the film is, in fact, Dark Rooms’ I Get Overwhelmed, a work of anxious, soaring beauty. Shame the film can’t reach such heights.... More

Indeed, the thoughtful qualities that have led some to call Lowery’s work a masterpiece are the same ones that will leave others cold. Affleck plays C, married to Rooney Mara's M. She wants to move away from their isolated home, he wants to stay, they argue a lot, but the point becomes rather moot when he dies and comes back as a ghost.

The image of an Oscar-winning actor walking around in a sheet is visually striking. Plus, a bit of cover won't exactly hurt Affleck after the accusations of impropriety that have dogged him this year. Mara is glowing in her grief; and Andrew Droz Palermo’s camerawork is full of long, lovely shots of C looking forlornly out the window.

But as the philosophical treatise on death it clearly means to be, A Ghost Story falls someway short. It's full of memorable imagery – Ghosty McGhostface whizzing back to colonial times, say, or playing poltergeist with the house's new inhabitants once M has moved on – but you're never quite sure what it all means, if anything.

Perhaps it's best thought of as a beautiful music video eked out to feature length. Suggested title? I Get Underwhelmed.Hide

The Peoples' Reviews

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BY cjmc nobody

I don't normally take the time to review a film beyond the star rating, but I had to express how much I adored this film. This is an extraordinary, meditative and cosmic story that defies genre; it deals with loss, heartbreak and the meaning of life - yet the film discusses these themes with an incredible calmness. I loved it.

I don't exactly hand around perfect reviews when it comes to films like candy, but 2017 has been such a good year, and I think I've found the gem of the year. Never before have I seen a film that can use even the most technical of film aspects such as sound and lighting, as well as directing and dialogue to convey its message. A Ghost Story is what I would call a modern masterpiece. The modern style of filmmaking is utilized towards making a film that explores love, life, and death in a... More brilliantly melancholic way. Casey Affleck is on a winning streak in his performances, and even though he's presumably under a bed sheet for the overwhelming majority of the film, we still feel his emotion. This is due to immaculate production design, and David Lowery's staging of his scenes. Rooney Mara is also in the film, and with very minimal dialogue, is able to inflict such emotion that the character feels after the main tragedy of the film. But what really makes this film something special is the way it makes you watch the film. This film isn't shot in a traditional Hollywood-like way. Instead, there are a lot of shots in this film that linger for a long time. You may even have heard of a particular shot in this film that lasts around 2 minutes I believe. It, therefore, takes a particular focus on the audience in order for the film to facilitate the connection it intends to make. The film trusts the audience to give into it, to allow the film to take over and lure one's eyes into its story. Now that may be challenging for some audiences, but I seriously encourage all to try and pay close attention to this film, because it is certainly worth it. And this film is a real tear-jerker. I mean it made a 17-year-old male such as me cry like a baby, and that is a testament to how well the dynamic between the main couple in the film is developed. When Affleck's character is in ghost-form, reflecting on his death, it creates a feeling of melancholy that is simply too subtle to even transfer into words. But the pay off from that feeling towards the end of the film really moved me, and I'm sure it will do the same to audiences if they really commit to this film. To conclude, A Ghost Story tackles themes of Love, life, and death in a melancholic, beautifully shot and staged adaptation that is able to reach into the audience's head and affect them on a very personal level. I urge everyone to see this film because it really needs a lot more love than its getting right now. A true masterpiece and is within my top 10 films of all time. You won't want to miss out on this one.Hide

BY cinemusefilm superstar

It is no spoiler to say there is nothing to be afraid of in this film. No blood to be seen, no jumps out of your seat. That could mean many supernatural and paranormal film fans will stay away, but they would be missing one of the most unusual and thought-provoking films seen in years. If you can look past the costume party white sheet with jagged eye-holes, you will find A Ghost Story (2017) to be a haunting reflection on grief and what lies beyond the last heartbeat.

Although it has an... More unsettling timeline, the story itself can be pared down to a few simple elements. We enter by eavesdropping on a young couple who are packing to leave their modest home. Known only as C (Casey Affleck) and M (Rooney Mara), she is keen to leave, he wants to stay. What happens next messes with our notions of time, space, death and beyond. Within seconds, we see him dead at the wheel of a crashed car. We watch her identify the body then walk out of a morgue. The camera remains fixed on the sheet until it slowly sits up. We follow it back to the house where it can only watch M in her stunned grief, unseen and unable to reach her. In a series of rapid time compressions, she packs and leaves, and is replaced by a procession of other families until the house becomes derelict and abandoned. All the time C watches alone. After a bulldozer flattens the house and a high-rise is built, we go back to when the property was an open prairie where a family of 19th century settlers are slaughtered by natives. C watches them decompose, still riveted to the place he too died. He returns to the time and place of his death to see himself and M arrive in their new home.

This unusual story unfolds from the viewpoint of a ghost. Once you are OK with that premise, everything else begins to make sense, depending on what you invest in the experience. When you let go of the usual paranormal genre tropes, you sense that ghosts occupy space without temporal boundaries and they do no harm. You also realise that cinema itself has conditioned our notions of linear time and physical place. Nobody has been there to report back, so who can refute the circularity of time after death? Nor do we know if ghosts can materially connect with the living or if they simply ‘belong’ at the place they became.

This low-budget high-risk film is one of the most innovative you will find in its genre but opinions are clustered at the extremes. Despite having a stellar duo in Casey Affleck and Rooney Mara, acting makes a limited contribution to what this film achieves. The silent Affleck is mostly under the sheet and Mara is brilliant for the time we see her. There are no CGI tricks and the film is shown through a round-corner square screen that is retro low-tech with editing and pace to unnerve you. Patience and faith are both needed and rewarded. The unbroken five-minute take of M sitting on her kitchen floor devouring a pie with C watching helplessly is a painfully exquisite portrait of transfixed grief. Surviving that scene can be a portal for a tale from the timeless beyond.Hide

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The Press Reviews

  • BBC

    A Ghost Story is a deliberate abstraction, and as such, it's easy to appreciate its conceptual audacity and its visual beauty. Full Review

  • 'A Ghost Story' is inventive, tragic, moving, and told with a deft touch. It will haunt you. Full Review

  • A poetic meditation on time, memory and spiritual connection that is utterly true to its title. Full Review

  • The collision of aesthetics - a cartoonish, Halloween-costume-grade specter haunting a quiet indie - is the point where A Ghost Story asks the most of us. But how thrilling it is to be jostled. Full Review

  • The film does, with great artistry and sincerity, the kind work of saying what so many of us have been thinking. It's our common late-night worries made manifest, then carried beyond our imagination. Full Review

  • While Lowery's actual method of delivery may not be scary, it's sure to haunt those who open themselves up to the experience. Full Review

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