American Assassin

American Assassin


Dylan O'Brien, Michael Keaton and Sanaa Lathan must prevent a World War in this action thriller from the director of Kill the Messenger.... More

Follows the rise of Mitch Rapp (O’Brien), a CIA black ops recruit under the instruction of Cold War veteran Stan Hurley (Keaton). The pair is then enlisted by CIA Deputy Director Irene Kennedy (Lathan) to investigate a wave of apparently random attacks on both military and civilian targets. Together the three discover a pattern in the violence leading them to a joint mission with a lethal Turkish agent (Shiva Negar) to stop a mysterious operative (Taylor Kitsch) intent on starting a World War in the Middle East.Hide

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Flicks Review

Considering how generic this slice of vaguely xenophobic counter-terror wish-fulfillment is, it comes as a surprise how bloody American Assassin turns out to be. From the get-go, the film’s violence is frequently shocking (well, R16-level shocking, not the fully traumatising kind). Quickly squandering any emotional investment in its lead, American Assassin dares you to care as its rote plot follows a good-looking US government-endorsed psycho (Dylan O’Brien) as he’s taken under the wing of a grizzled, experienced, US government-endorsed psycho (Michael Keaton) to take down a different good-looking non-US-government-endorsed psycho (Taylor Kitsch) who’s working with a bunch of not-quite-so-awesome psychos (various).... More

Most probably, we’re expected to identify with O’Brien’s character Mitch Rapp as he responds to personal tragedy by transforming into a revenge-driven killing machine, allowed into a covert squad of US agents after he beats up Scott Adkins. While Rapp’s hairdo and torso may appeal to a younger generation than the Tom Cruises or Matt Damons of this world, they’re the first examples that spring to mind as having done this better before, and with more charisma.

While he never really sells his trauma, O’Brien proves more adept at often very MMA-style fights than you’d expect, and you buy his steely concentration down the barrel of a gun. But he’s starved of anything to go up against, with Kitsch not proving much of a villain. It is great to see Michael Keaton as a take-no-shit mentor - he’s certainly not the sort of boss he’s played previously in Spotlight (or The Other Guys, for that matter) - and he gets to enjoyably ham it up a bit when the tables get turned on him.

But, yeah, it’s just all so familiar. Even - sort of - an unexpectedly over-the-top ending, which looks for a moment like it might belong better in an Emmerich film.Hide

The Peoples' Reviews

Average ratings from 2 ratings, 2 reviews
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BY PercyM superstar

It's dull, flat and unsurprising.

Once again the movie has changed the main story line of the book and again this detracts from the movie. The guy who plays Mitch Rapp does not look anything like you imagine he would from the book. Worth a watch but you will be disappointed afterwards.

The Press Reviews

  • Cuesta injects vitality where it's needed. Full Review

  • There are 15 more Mitch Rapp books, but a sequel feels unlikely. Full Review

  • Built for action, like its title character, the movie packs a muscular, bloody punch, but mainly it's a well-oiled diversion. Full Review

  • "American Assassin" is so close-mouthed and macho that it blends in with Bourne, Bond and "Taken's" Brian Mills. Rapp can blast his way through Turkey - but this sullen, swollen hero can't elbow those box office heavyweights to make room. Full Review

  • It is an efficient, occasionally spectacular and mostly not-too-insulting Friday night popcorn flogger... Full Review

  • Mitch seems not just hot-headed but borderline racist, and neither trait is addressed in a satisfying way. Full Review

  • Decent fun, in the leathery, businesslike, self-satisfied manner of this kind of movie, which soothes the hurt places in the male ego with sentiment strategically disguised as toughness. Full Review

  • The attempt to rebrand counterterrorism manoeuvres as a heady extension of The Hunger Games falls somewhere between dimwitted and deeply cynical. Full Review

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