Apocalypse Now

Apocalypse Now

Apocalypse Now

Capping director Francis Ford Coppola's golden decade (after, amongst others, The Godfather I and II and The Conversation), Apocalypse Now is his hallucinogenic Vietnam War epic following Martin Sheen's mission to terminate Marlon Brando's Colonel Kurtz. Co-stars Robert Duvall and Dennis Hopper. Winner of multiple awards, including the Palme d'Or, the film is also famed for its intense, four-year production in Manila which involved the director nearly losing his mind, a Martin Sheen heart attack, a difficult Brando and wild weather that destroyed expensive sets.

Based on Heart of Darkness by Joseph Conrad, an exploration of humans' capacity for violence and savagery, of racism and colonialism. Screenwriters Coppola and John Milius change the African setting to the U.S.'s invasion of Vietnam in the 1960s/70s. Captain Benjamin Willard (Sheen) is sent on a dangerous mission that, officially, "does not exist, nor will it ever exist." His goal is to locate and eliminate a mysterious Green Beret Colonel named Walter Kurtz (Brando) who has been leading his personal army on illegal guerrilla missions into enemy territory.

Palme d'Or and FIPRESCI Prize winner at Cannes Film Festival 1979. Best Director and Best Supporting Actor (Duvall), BAFTA Awards 1980. Best Cinematography and Sound, Academy Awards 1980. Best Director, Supporting Actor (Duvall) and Score, Golden Globes 1980.
1979Rating: R16, Violence, offensive language and drug use202 minsUSA
DramaWarClassic
100%
want to see

Reviews & comments

Variety

Variety

press

Alternately a brilliant and bizarre film, Francis Coppola's four year 'work in progress' offers the definitive validation to the old saw, 'war is hell.'

0
Total Film

Total Film

press

The hallucinogenic results justified the means, Martin Sheen’s mission to terminate Marlon Brando’s crazy Colonel Kurtz becoming an awe-inspiring journey into war’s primeval heart of darkness.

5.0
0
Time Out

Time Out

press

A film of pure sensation, dazzling audiences with light and noise, laying bare the stark horror - and unimaginable thrill - of combat.

5.0
0
The New York Times

The New York Times

press

As technically complex and masterful as any war film I can remember.

0
The Guardian

The Guardian

press

Not merely the greatest film to come out of the Vietnam experience but one of the great works about the madness of our times.

5.0
0
Roger Ebert

Roger Ebert

press

The film has one of the most haunting endings in cinema, a poetic evocation of what Kurtz has discovered, and what we hope not to discover for ourselves.

0
Empire Magazine

Empire Magazine

press

This disturbing vision of the harrowing effects of war and violence continues to shock and haunt audiences.

5.0
0
BBC

BBC

press

The power of this film cannot be denied, and once seen, it is not easily forgotten.

5.0
0
Variety

Variety

press

Alternately a brilliant and bizarre film, Francis Coppola's four year 'work in progress' offers the definitive validation to the old saw, 'war is hell.'

0
Total Film

Total Film

press

The hallucinogenic results justified the means, Martin Sheen’s mission to terminate Marlon Brando’s crazy Colonel Kurtz becoming an awe-inspiring journey into war’s primeval heart of darkness.

5.0
0
Time Out

Time Out

press

A film of pure sensation, dazzling audiences with light and noise, laying bare the stark horror - and unimaginable thrill - of combat.

5.0
0
The New York Times

The New York Times

press

As technically complex and masterful as any war film I can remember.

0
The Guardian

The Guardian

press

Not merely the greatest film to come out of the Vietnam experience but one of the great works about the madness of our times.

5.0
0
Roger Ebert

Roger Ebert

press

The film has one of the most haunting endings in cinema, a poetic evocation of what Kurtz has discovered, and what we hope not to discover for ourselves.

0
Empire Magazine

Empire Magazine

press

This disturbing vision of the harrowing effects of war and violence continues to shock and haunt audiences.

5.0
0
BBC

BBC

press

The power of this film cannot be denied, and once seen, it is not easily forgotten.

5.0
0

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