Beyond the Known World

Beyond the Known World


How far would you go?

David Wenham (Lion) and Sia Trokenheim (Everything We Loved) play a recently-divorced Kiwi couple in India searching for their missing 19-year-old daughter in this drama from director Pan Nalin (Samsara) and writer Dianne Taylor (Apron Strings).... More

When Eva fails to return home to New Zealand from India, her estranged parents Carl (Wenham) and Julie (Trokenheim) must reunite to find her. Their journey takes them from coastal Auckland to the chaos of New Delhi and on to idyllic Himalayan villages, where hash-smoking expats are tight-lipped and local police offer little help.

Desperate to find Eva, Carl's misreading of the local culture leads to a young woman being imprisoned. Old wounds and betrayals between husband, wife and daughter are exposed, and Carl begins to realise that he may be responsible for driving Eva away. Believing Eva has died in the mountains, Carl despairs, but Julie's refusal to stop searching eventually proves that, sometimes, blind faith is better than none at all. To find their daughter, Carl and Julie must first rediscover each other.Hide

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Flicks Review

Anyone who has seen uplifting Oscar nominee Lion or agonising arthouse drama Siddharth will know that finding a missing person in India is extremely difficult. When your teenage daughter is the one to go MIA, it is terrifying. When your irritated ex is the only person in your search party, it doesn’t help. Throw in a herd of unhelpful white potheads who treat India like a music-less Coachella and you have a film that’s ripe for exploring cultural ignorance – putting focus on a middle class Kiwi couple gives Beyond the Known World a bit more distinction.... More

Sia Trokenheim, who broke hearts and won a New Zealand Film Award for Everything We Loved, gives a sturdy performance as Julie, balancing the distress of a worried parent with the determination of a mother on a mission. Former husband Carl, played by the ever-reliable David Wenham (Lion), shares Julie’s determination but not her sensitivity. He’ll throw money at locals’ faces if it means getting a little closer to finding his daughter.

Julie is familiar with the culture but Carl is not, and it’s satisfying to see him come to grips with his own ignorance, though the same can’t quite be said for their relationship. Something clearly went wrong in their marriage, but the film barely gives you a taste of the ‘what’ or the ‘why’ until a small block of dialogue drops it all at once, leading to a bedroom scene that feels more bizarre than insightful.

On the upside, it does keep you wondering if the daughter was taken or if she simply cut ties with her parents (communication is not this family’s strong point). The longer the film goes on, the more understandable the situation becomes. Director Pan Nalin (Samsara) never lets you forget how much natural beauty lies in India and NZ writer Dianne Taylor (Apron Strings) has provided a solid dangling carrot to guide audiences through it. The journey is often bumpy, but the conclusion has just the right amount of grace to stick the landing.Hide

The Peoples' Reviews

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Intriguing and beautifully shot, the end is though quite unexpected.

BY eeno nobody

Quite the worst film I've seen in years, and only the third I've ever walked out on.Director Pan Nalin has the critically acclaimed ,and beautifully and sensitively directed "Samsara" to his credit, but this..well!! With the potential to be a gripping thriller, as separated parents travel to India to find their missing daughter, Mr Nalin turns out to be no Costa-Gavras whose superb "Missing" with Jack Lemmon has a similar theme."Beyond the Known World" is shot and presented in technicolour... More travelogue -style. Unlike "Lion" and "Slumdog Millionaire" , this is sanitized India -no squalor and grime . The parents, uncertainly and unevenly played by David Wenham and Sia Trokenheim, meet caricatures of ex-pat hippies as they bitch their way into the hinterland. Bitchy, for the film has a script constantly sniping at each other, and for the long suffering viewers to endure. It lacks a sense of foreboding, tension and suspense, and I can only guess that there is an ending climax of some sort, having vacated the cinema with 45 minutes still to go as Sia leaps onto David seeking orgasm . ReallY??11 The problem is feeling no empathy with the parents or caring not a jot if they find their daughter dead or alive. Our New Zealand Film Commission blew its money on this one . Save yours.Hide

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