An African-American police officer from Colorado teams up with a white counterpart in an audacious double-act to infiltrate the Ku Klux Klan. Spike Lee crime drama based on a true story.... More
It’s the early 1970s, and Ron Stallworth (John David Washington, Love Beats Rhymes) is the first African-American detective to serve in the Colorado Springs Police Department. Determined to make a name for himself, Stallworth sets out to infiltrate and expose the local Ku Klux Klan. He soon recruits a more seasoned colleague, Flip Zimmerman (Adam Driver), into the undercover investigation of a lifetime as the pair join forces to impersonate a new KKK member. Topher Grace co-stars as KKK Grand Wizard David Duke, on a mission to present a friendly, corporate face to the violent, racist organisation.Hide
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BY Katie Parker Flicks Writer
In the time since Donald Trump was elected US President, a number of theories have emerged within the greater public consciousness to justify this turn of events: it was the Russians; it was Hillary’s emails; it was the weird US electoral system that no one really understands. Underlying each of these explanations, of course, is the myth: that no one could have seen this horrible situation coming. Spike Lee’s BlacKkKlansman is an indictment of this myth.... More
His film is the true story of the first black cop to join the Colorado Springs police force in the early 1970s, Ron Stallworth (John David Washington), who, with his colleague Flip Zimmerman (Adam Driver) goes undercover to infiltrate the KKK. Quickly revealing both the open racism of the local community and the complete apathy and complicity of their superiors, the investigation also indicates that white supremacy is not waning - and, instead, steadily working its way into the mainstream.
Despite its period setting, BlacKkKlansman is spectacularly direct in connecting the dots between Stallworth’s story and the current American political situation. KKK Grand Wizard David Duke (played with chilling geniality by Topher Grace) even expresses a desire to Make America Great Again.
Lee’s lack of subtlety regarding these connections may be entertaining - many members of our predominantly white audience roared with laughter at these moments - but it is also brimming with impatience: the urgency to spell out what is really going on for those still under the illusion that Trump is an aberration and not a symptom of long brewing, purposefully neglected racial animus.
BlacKkKlansman may be the most accessible, and perhaps most entertaining, work of Lee’s latter day career but it is also his most important. An epilogue, in the form of news footage from the white supremacist rally in Charlottesville where counter-protester Heather Heyer was killed (an event which BlacKkKlansman’s release coincides with and commemorates), is a perfect, sobering conclusion to a truly scathing critique of a culture and a history that created the world we see today.Hide
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BY Alissa-Warren superstar
BY lost10 wannabe
This film was a real surprise, easily the best film I have seen for a while and I highly recommend this film.
The trailer makes this look like a 70's comedy and there are funny moments it is no comedy and the suspense near the end for the characters was very intense.
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