The most dangerous place on earth.
Mountaineering thriller, based on the 1996 Mt Everest disaster where eight climbers were caught in a vicious blizzard in the most unforgiving of environments. Jason Clarke (Rise of the Planet of the Apes) is Kiwi mountaineer Rob Hall, Keira Knightley plays his pregnant wife who waits at home in Christchurch for updates, Jake Gyllenhaal is American guide Scott Fischer. Co-stars Emily Watson, Josh Brolin, Martin Henderson, Robin Wright and Sam Worthington.
BY Steve Newall Flicks Writer
Between Robert Zemeckis’ upcoming The Walk and this struggle for survival atop the planet’s highest mountain, fans of vertiginous cinema experiences are well served for spectacle this year, especially when writ large across IMAX screens. From its title onwards, Everest doesn’t muck about. Like 2013's Sir Ed docu-drama Beyond the Edge, it thrives on sometimes treating, sometimes terrifying the audience with the sheer scale and spectacle of the awe-inspiring Himalayan peak.... More
Past that, Everest faces a few challenges of its own in following tragic true story over triumphant. The demise of Kiwi mountaineer Rob Hall is familiar to this part of the world, and while no amount of current affairs coverage over the years can compete with the impact of this spectacular contemporary recreation, the ending will be a foregone conclusion for many, stealing much impact from the film.
While it’s welcome to see Hollywood blockbuster-style filmmaking used in service of bringing “the most dangerous place on Earth” to life, as the film’s talented ensemble battles an unfortunate mix of extreme elements and questionable decision-making, Everest itself struggles in search of a narratively satisfying finale.
As one expedition member after another succumbs to the punishing conditions – some suddenly, others less so – events are recounted either matter-of-factly or with grim fascination, cumulatively adding up to an uncomfortable onscreen tally of real people who actually died. There’s little to entertain or find especially heroic in Everest’s concluding scenes. Instead, a sense of futile tragedy settles in, rendered even more potent over the course of Hall’s final interactions with his pregnant wife.
Is Everest the villain? Is hubris? Does the film have one, or need one, at all? These are but some of the questions that lingered after this somewhat puzzling, if ever-watchable, experience.Hide
The Peoples' Reviews
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BY thorinoak superstar
A fascinating observation of the Everest disaster but no more than that. With a tragedy of this magnitude you would expect that by the end your heart strings would have been pulled every which way and your eyes would be running over. But in the end, you just don't care enough for the characters on the mountain. Underwhelming.
BY PMillican nobody
Working Title/the Director referred to Jon Krakauer as 'a writer who just happened to be on the mountain at the time'. To learn more about what actually caused this seminal event you will need to read 'A Day to Die For' and 'After the Wind'.... More Well done Working Title and Baltasar Kormakur for daring to break the mold!Hide
BY RealityCheck superstar
Like the book I read “View from the Top” by Sir Ed Hilary, it explains a lot about what they go through up there. Similar to ‘Cliffhanger’, 'North Face’ or ‘Vertical Limit’. Loved the fact it’s about a Kiwi and enjoyed the acting and scenery. Way too real for what I hoping, but still a great watch. I need to read “Into Thin Air” by Jon Krakauer, as that’s be a good read.
Genre : Drama, hope, adventure
4/5 : wasn’t quite as uplifting as I’d hoped it would be,... More even knowing the outcome.Hide
BY DanielK superstar
Anyone who has seen the movie or its trailers will remember Josh Brolin helplessly dangling over a yawning chasm from a frighteningly flimsy-looking ladder. That image is the perfect metaphor for Everest – gripping in the moment, but ultimately stranded between two poles. As a high-altitude, white-knuckle thriller its problematic final act robs it of the primal gut-punch that the best thrillers have, and as an eye-popping spectacle its visual splendour is constantly obscured by the dark cloud of the real-life tragedy it depicts.Hide
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