Young programmer Calbe (Domnhall Gleeson, About Time) joins a secret artificial intelligence experiment run by a brilliant scientist (Oscar Isaac, Inside Llewyn Davis). As the pair develop and interact with the resulting robot (Alicia Vikander, A Royal Affair), mistrust and deception take hold. The directorial debut of Alex Garland (writer of The Beach, Sunshine and Dredd).
While the ever-expanding blockbuster culture of the 21st century throws up much in the way of justification for bemoaning the doom of the small-to-medium independent film, there is at least one glorious fibre optic lining. The rapid progression of digital effects technology that has gone hand-in-cyborg-claw with these mega-movies has opened up a gateway for brilliant, mind-over-laser science-fiction explorations such as Moon, Her and now Ex Machina.
Full reviewEx Machina turns out to be far wittier and more sensual than its coolly unblemished exterior implies...
Full reviewIt plays like Frankenstein meets Blade Runner via Hitchcock haunted by the ghosts of Charles Dickens’ Great Expectations...
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Vikander’s spellbinding, not-quite-human presence (her synthetic skin is silky yet creepy) keeps us watching.
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This is bewitchingly smart science fiction of a type that’s all too rare. Its intelligence is anything but artificial.
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The story falls out so predictably at every stage that it can be frustrating. It’s the details that are surprising, and purposefully alarming.
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