
Flicks, Giles Hardie
While the ever-expanding blockbuster culture of the 21st century throws up much in the way of justification for bemoaning the doom of the small-to-medium independent film, there is at least one glorious fibre optic lining. The rapid progression of digital effects technology that has gone hand-in-cyborg-claw with these mega-movies has opened up a gateway for brilliant, mind-over-laser science-fiction explorations such as Moon, Her and now Ex Machina.
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