How to Talk to Girls at Parties
An alien (Elle Fanning) touring the galaxy breaks away from her group and meets three mates mates in the most dangerous place in the universe: the London suburb of Croydon in 1977, the center of the punk revolution. From the director of Hedwig and the Angry Inch, based on a short story by Neil Gaiman. Nominated for the Queer Palm nominee at Cannes 2017.
- Director:
- John Cameron Mitchell ('Hedwig and the Angry Inch', 'Shortbus')
- Writer:
- Philippa GoslettJohn Cameron Mitchell
- Cast:
- Elle FanningNicole KidmanRuth WilsonStephen Campbell MooreMatt LucasJoanna Scanlan
Reviews & comments
Vulture
pressThe film looks dreadful, and the CG effects are a legitimate eyesore: An opening animated sequence is so tacky, it took me a while before I realized it wasn't just another logo animation for a random film fund.
Variety
pressThe film enunciates its raw themes - punk means individuality! the aliens are all about conformity! - but never begins to figure out how to embody those themes in a narrative that could lure in the audience.
Hollywood Reporter
pressThere's too little narrative cohesion or persuasive subtext to make this much more than a low-budget folly that's outre without always being terribly interesting.
Collider
pressThe cinematic energy that permeated the screen in both 'Hedwig' and its follow-up, the oft-forgotten 'Shortbus', is completely missing here.
Vulture
pressThe film looks dreadful, and the CG effects are a legitimate eyesore: An opening animated sequence is so tacky, it took me a while before I realized it wasn't just another logo animation for a random film fund.
Variety
pressThe film enunciates its raw themes - punk means individuality! the aliens are all about conformity! - but never begins to figure out how to embody those themes in a narrative that could lure in the audience.
Hollywood Reporter
pressThere's too little narrative cohesion or persuasive subtext to make this much more than a low-budget folly that's outre without always being terribly interesting.
Collider
pressThe cinematic energy that permeated the screen in both 'Hedwig' and its follow-up, the oft-forgotten 'Shortbus', is completely missing here.
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