Jay and Silent Bob Strike Back
Two pissed off stoners head to Hollywood to dispute movie character rights in this comedy featuring Will Ferrell, Chris Rock and George Carlin.
The comic 'Bluntman and Chronic' is based on real-life stoners Jay (Jason Mewes) and Silent Bob (writer-directed Kevin Smith), so when they get no profit from a big-screen adaptation they set out to wreck the movie.
Reviews & comments
Variety
pressHas the lazy, bric-a-brac atmosphere of one of those blown-off movies made during down time on some bigger affair.
Time Out
pressThe perfect curtain call for these much-loved, wise but oh so stupid slackers.
The Washington Post
pressThe picture lacks the mix of innocence and savagery that branded [Smith's] other films.
Rolling Stone
pressBudgeted at $20 million, Jay and Silent Bob Strike Back contains many remarkable things for a Smith movie.
Roger Ebert
pressKevin Smith's movies are either made specifically for you, or specifically not made for you. If you read this review without a smile or a nod of recognition, I would recommend Rush Hour 2, which is for everybody or nobody, you tell me.
New York Post
pressThe originality and intelligence that made Smith's Clerks and Chasing Amy such refreshing pleasures are all but absent.
Los Angeles Times
pressThe relentless torrent of foul language - and not just from Jay - becomes numbing and finally makes the film seem more crass than amusing.
Variety
pressHas the lazy, bric-a-brac atmosphere of one of those blown-off movies made during down time on some bigger affair.
Time Out
pressThe perfect curtain call for these much-loved, wise but oh so stupid slackers.
The Washington Post
pressThe picture lacks the mix of innocence and savagery that branded [Smith's] other films.
Rolling Stone
pressBudgeted at $20 million, Jay and Silent Bob Strike Back contains many remarkable things for a Smith movie.
Roger Ebert
pressKevin Smith's movies are either made specifically for you, or specifically not made for you. If you read this review without a smile or a nod of recognition, I would recommend Rush Hour 2, which is for everybody or nobody, you tell me.
New York Post
pressThe originality and intelligence that made Smith's Clerks and Chasing Amy such refreshing pleasures are all but absent.
Los Angeles Times
pressThe relentless torrent of foul language - and not just from Jay - becomes numbing and finally makes the film seem more crass than amusing.
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