
Flicks, Alexandra Heller-Nicholas
The word “problematic” boomed through social media megaphones even by people who had yet to see Todd Philips’ Joker after its much-hyped premiere at the Venice Film Festival. But for all the fears of it promoting ‘incels’ (shorthand for the ‘involuntarily celibate’ online subculture linked to real-world misogynistic horrors like the 2014 Isla Vista killings) and the broader extreme right wing movement more generally, the North American premiere that I saw at the Toronto International Film Festival left me with a different conclusion...
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