
Flicks, Aaron Yap
After a prolonged bout in director jail, M. Night Shyamalan may never restore his career to the mainstream respectability once afforded by the success of his earlier work such as The Sixth Sense and Unbreakable. With his previous film, the endearingly daft found-footage flick The Visit, and now the gloriously demented Split, he’s managed to rejig our expectations somewhat, comfortably embracing his position as solid craftsman of schlocky, modestly-budgeted genre pictures – nothing more, nothing less.
Full review
Share