Name: Sweet Country
Genre: Adventure, Crime, True Story & Biography, Western
Released: 2017
Duration: T1H50M
Cast: Bryan Brown, Sam Neill, Hamilton Morris, Thomas M. Wright, Ewen Leslie

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Warwick Thornton's award-winning Australian western set in the outback of the Northern Territory, 1929. When Aboriginal stockman Sam (newcomer Hamilton Morris) kills a white station owner in self-defence, he goes on the run. Co-stars Bryan Brown and Sam Neill.

Sam and his wife are pursued across the outback. Sergeant Fletcher (Brown) leads the posse with the help of tracker Archie (Gibson John) and local landowners Fred Smith (Neill) and Mick Kennedy (Thomas M. Wright). Fletcher is desperate to capture Sam and put him on trial for murder, but Sam is an expert bushman and has little difficulty outlasting them. Eventually, for the health of his pregnant wife, Sam decides to give himself up and is put on trial in the courtroom of Judge Taylor (Matt Day).

Special Jury Prize winner at Venice Film Festival 2017. Platform Prize winner at Toronto International Film Festival 2017.

2017Rating: R16, Violence, Sexual Violence, Offensive Language & content that may disturb110 minsAustralia

AdventureCrimeTrue Story & BiographyWestern

All Reviews (11)

Director:: Warwick Thornton ('We Don't Need a Map', 'Samson and Delilah')
Writer:: Steven McGregorDavid Tranter
Cast:: Bryan BrownSam NeillHamilton MorrisThomas M. WrightEwen LeslieAnni FinstererMatt Day

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Sweet Country / Reviews

Flicks, Steve Newall

At times exploiting the Western genre’s conventions and at others gently subverting them, Warwick Thornton’s Sweet Country takes place a while after typical horseback foundational myths. The film’s 1929 Australian Outback setting is as lawless, violent and transitional as any, however, and serves as a potent backdrop to an often searing portrayal of colonial racism and rage at a time when today’s cultural paradigm coalesced - a continent ruled by arrogant invaders, who’ve dispossessed the indigenous people’s connection to culture and country.

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Flicks, Blake Howard

Director Warwick Thornton’s outback morality tale, Sweet Country, combines exquisite visuals of Australian landscapes with a script that dabbles as much in mythical justice as deeply specific ideas of what this country is made of. With superbly crafted performances, Sweet Country is an essential Australian Western.

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Variety

The spare, classical chase drama that ensues is seeded with barbed observations on colonialism, cultural erasure and rough justice, kept poetically succinct by Thornton's lithe, soaring visual storytelling.

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Time Out

Australia now has its High Noon.

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The Guardian

Old Testament cinema, with an almost biblical starkness in its cruelty and mysterious beauty, set in a burning plain where it looks as if the sun-bleached jawbone of an ass could at any moment be picked up and used as a murder weapon.

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Stuff

One of the most memorable cinematic outings you'll have in 2018.

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Screen Daily

A quietly blistering portrait of prejudice.

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Newsroom

Complete with its hammering home of politics - one character's final comments are "What is this country coming to?" isn't quite as powerful as it could - and should - be.

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Hollywood Reporter

A drama of imposing breadth and emotional depth.

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FilmInk

A film that will inspire audiences with a feeling of righteous fury and national pride. Must see!

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Daily Telegraph

It's the indigenous cast, many of them non actors, who take the film to another level.

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