The Black Dahlia
- Director:
- Brian De Palma ('Femme Fatale', 'Mission: Impossible', 'Snake Eyes', 'Scarface', 'The Untouchables')
- Writer:
- Josh Friedman
- Cast:
- Josh HartnettScarlett JohanssonAaron EckhartHilary SwankMia Kirshner
Reviews & comments
Variety
press"Chinatown" it ain't, not in any department. On its own level, however, new pic generates a reasonable degree of intrigue...
Hollywood Reporter
pressHas the looks, smarts and attitude of a classic Brian De Palma/film noir thriller. During the first hour, the hope that the director has tapped into something really great mounts with each passing minute. Then, gradually, the feverish pulp imagination of James Ellroy, on whose novel Josh Friedman based his screenplay, feeds into De Palma's dark side. The violence grows absurd, emotions get overplayed, and the film revels once too often in its gleeful depiction of corrupt, decadent old Los Angeles. Disappointingly, the film edges dangerously into camp...
Film Threat
pressIt looks stylish, sure, but the script is laughable and the acting is ridiculous...
Empire Magazine
pressGorgeously realised, gripping and doused in De Palma’s familiar technical wizardry, this is only let down by the director’s equally familiar uninterest in the humanity of his characters...
BBC
pressIt only works in fits and starts and the grand climax is too Rocky Horror to be true, yet the heady redolence of a bygone era still proves seductive...
Variety
press"Chinatown" it ain't, not in any department. On its own level, however, new pic generates a reasonable degree of intrigue...
Hollywood Reporter
pressHas the looks, smarts and attitude of a classic Brian De Palma/film noir thriller. During the first hour, the hope that the director has tapped into something really great mounts with each passing minute. Then, gradually, the feverish pulp imagination of James Ellroy, on whose novel Josh Friedman based his screenplay, feeds into De Palma's dark side. The violence grows absurd, emotions get overplayed, and the film revels once too often in its gleeful depiction of corrupt, decadent old Los Angeles. Disappointingly, the film edges dangerously into camp...
Film Threat
pressIt looks stylish, sure, but the script is laughable and the acting is ridiculous...
Empire Magazine
pressGorgeously realised, gripping and doused in De Palma’s familiar technical wizardry, this is only let down by the director’s equally familiar uninterest in the humanity of his characters...
BBC
pressIt only works in fits and starts and the grand climax is too Rocky Horror to be true, yet the heady redolence of a bygone era still proves seductive...
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