96%317 reviews
US auteur Sean Baker’s slice-of-life indie has been generating a surprising amount of awards heat. The surprise is no reflection on its quality – which is beyond reproach – but because it features a largely unknown cast, no moralising or easy redemptions, and tells us more about life than it does about movies.
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As a filmmaker, Baker is a graceful neorealist voyeur who thrives on improvisation, and his storytelling, in The Florida Project, is mostly just a series of anecdotes. But that turns out to be enough.
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Things look grim for Halley and Moonee, but we can expect a lot from the people who brought their marvelous story to light.
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Some of these scenes feel so spontaneous they could be mistaken for documentary.
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An interesting companion piece and contrast to Ken Loach's award-winning I, Daniel Blake.
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A remarkable study of poverty, family and personal responsibility, The Florida Project meticulously illustrates how life on the margins affects one impressionable six-year-old.
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A tough-but-beautiful watch, like a glowing colour version of something from the post-war Italian New Wave.
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A fabulous mosaic of one particular pocket of America's invisible homeless population - families living hand-to-mouth in motels originally designed to catch the tourist overspill from the flashy theme-park resorts across town.
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In an era with remarkable child actors in films such as 'Room' and 'Moonlight', Baker's ability to siphon such authentic performances is truly a marvel.
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