
Flicks, Dominic Corry
As great as Inglourious Basterds and Django Unchained were, the manner in which Quentin Tarantino's pointed proclivity for ponderous proclamations went unchecked in those films prevented me from wholly embracing them. In The Hateful Eight, the third entry in QT's unofficial 'Revisionist Myth' trilogy, those tendencies go even further, gloriously so.
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