The Man Who Killed Hitler and then The Bigfoot
American screen legend Sam Elliot plays a war vet who killed Hitler. Decades later, the FBI and the Royal Canadian Mounted Police recruit him to hunt the Bigfoot when the mythical creature goes on a killer rampage.
- Director:
- Robert D. Krzykowski (feature debut)
- Writer:
- Robert D. Krzykowski
- Cast:
- Ron LivingstonSam ElliottEllar ColtraneAidan TurnerLarry MillerCaitlin Fitzgerald
Reviews & comments
Flicks, Travis Johnson
flicksWell, with a title like that you’ve got to give it a shot, don’t you? The Man Who Killed Hitler and Then the Bigfoot, in all it’s deliberately awkward glory, seems to promise something knowingly camp, or at least pulp, and it more or less delivers. But the giddy thrills are leavened with no small amount of pathos – if you can picture a less jokey version of Don Coscarelli’s 2002 cult classic Bubba Ho-Tep, you’re in the right neighbourhood.
Variety
pressAll its idiosyncrasy expended on that undeniably head-turning title, this low-key, literal-minded indie manages to make those marquee events pretty uninteresting.
Collider
pressThe Man Who Killed Hitler and Then the Bigfoot is a fascinating experiment; a dark drama that treats pulp genre with the earnest emotional weight of an awards contender.
Flicks, Travis Johnson
flicksWell, with a title like that you’ve got to give it a shot, don’t you? The Man Who Killed Hitler and Then the Bigfoot, in all it’s deliberately awkward glory, seems to promise something knowingly camp, or at least pulp, and it more or less delivers. But the giddy thrills are leavened with no small amount of pathos – if you can picture a less jokey version of Don Coscarelli’s 2002 cult classic Bubba Ho-Tep, you’re in the right neighbourhood.
Variety
pressAll its idiosyncrasy expended on that undeniably head-turning title, this low-key, literal-minded indie manages to make those marquee events pretty uninteresting.
Collider
pressThe Man Who Killed Hitler and Then the Bigfoot is a fascinating experiment; a dark drama that treats pulp genre with the earnest emotional weight of an awards contender.
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