
Flicks, Travis Johnson
Well, with a title like that you’ve got to give it a shot, don’t you? The Man Who Killed Hitler and Then the Bigfoot, in all it’s deliberately awkward glory, seems to promise something knowingly camp, or at least pulp, and it more or less delivers. But the giddy thrills are leavened with no small amount of pathos – if you can picture a less jokey version of Don Coscarelli’s 2002 cult classic Bubba Ho-Tep, you’re in the right neighbourhood.
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