The Nightingale (2018)

The Nightingale (2018)


Her song will not be silenced.

Gothic period thriller set in 1825 Tasmania follows young Irish convict Claire (Aisling Franciosi) as she pursues a British officer (Sam Claflin) through the wilderness with vengeance on her mind for an appalling act committed against her family. An Aboriginal tracker named Billy (Baykali Ganambarr) helps the chase, like Claire, scarred by his own trauma. Director Jennifer Kent's follow-up to stunning feature debut The Babadook. In competition at the Venice Film Festival 2018. 

The Peoples' Reviews

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BY arlomclean superstar

You won't be able to sleep, but it should not be ignored. Every bit harrowing as it is beautiful.

The Press Reviews

  • Weaving themes of colonialism and class into the broad strokes of a won’t-stop-can’t-stop revenge potboiler, the film marks a step forward for the Australian director in terms of ambition and scope. Full Review

  • If The Nightingale doesn’t quite fulfill the high expectations for Kent’s sophomore feature, it still shows a director with a muscular handle on her craft... Full Review

  • Acclaimed filmmakers often face the challenge of big expectations on their second features, but Kent joins the ranks of sophomore filmmakers whose new movies expand on their debuts in startlingly ambitious ways. Full Review

  • Some stricter editing wouldn’t go amiss, particularly in a needlessly baggy, to-and-fro finale, but it’s a pretty magnificent mass of movie. Full Review

  • It's a devastating, uncomfortable watch. But there's a sense that The Nightingale needs to be exactly the film it is, bubbling with completely justified anger and pain. Full Review

  • Both a canny fulfillment and a skillful subversion of the conventions of the revenge thriller, the picture becomes a touch overextended in its final stretches but is nonetheless sustained by the coherence and intense muscularity of its filmmaking. Full Review