The Pa Boys(2014)
What is a man without roots?
Kiwi road-trip drama following three-piece Wellington reggae band The Pā Boys as they tour the North Island. This marks the feature debut of Himiona Grace with music by Trinity Roots’ Warren Maxwell. ... More
The journey is one that sees Danny (Francis Kora), a young Māori man whose whakapapa is a mystery to him, conflicting with their newest member Tau (Matariki Whatarau), an elusive and talented musician deeply rooted in his heritage. Tau tries to educate Danny in the ways of traditional Māori values, only to provoke frustration and anger within the group. To make matters more complex, the band is joined by Danny’s ex-wife and mother of his child.Hide
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BY Liam Maguren Flicks Writer
“What’s a Maori without roots, eh?” is the ultimate question posed on Danny (Francis Kora), an adopted child turned metro Maori whose whanau and whakapapa is a mystery to him. It’s a great set-up for exploring Maori identity in a contemporary world, and following Danny’s small three-piece acoustic band (featuring some damn fine songs from Warren Maxwell of Trinity Roots) up/down the North Island makes the deal sound even sweeter. But while the tale kicks off a number of themes, messages and ideas, it’s hard to feel it nails any of them.... More
Cinematographer Rewa Harré peppers the film with gorgeously captured landscapes of Aotearoa that silhouette the characters in the foreground – evoking a sense of greatness in the land that overbears the people who inhabit it. This vision works in tandem with the documentary feel as the boys journey between locales, giving the film an organic feel that really complements its grassroots atmosphere and traditional Maori themes.
It’s a real shame then that the writing and the story can’t match the quality of the vision and the music. The comedic band camaraderie that worked so well in Mt. Zion doesn’t come across that finely here (“Tell him to bless your feet ‘coz they stink,”), despite Tola Newbery’s lively efforts as the drummer Cityboy. An undercooked love triangle involving Danny’s ex-wife does more to interfere with his journey of self-discovery than add to it – especially when their tamaiti is sparsely referenced in the situation. Though this leads to a superb “screw you” serenade, Danny’s changing attitudes towards his own culture are not referenced to, or reflected in, most of the other tracks, making the songs as a whole superfluous to his growth. When this is the character’s key method of expressing himself, it feels like many marks were missed.
The ultimate divider comes down to the film’s fantastical conclusion that directly opposes the aforementioned organic doco-like filmmaking. It’s a turn that might connect with the deeply spiritual, but will most likely take everyone else out of the film, making The Pa Boys difficult to recommend beyond its great music and beautiful imagery.Hide
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The Pa Boys
BY indiginz nobody
The pace of the movie, too, is different from the calculated peak-plateau-peak progression Hollywood has conditioned us to expect. The story does not advance as much as unravel.
By the time the story reaches its unexpected resolution, plot threads and themes tie together for an ending that left many in the audience powerfully moved.
...... (Director) Grace and his team have created a film that deserves to be talked about by movie-goers here and overseas.