The Wind
In this horror western set in the 1800s, Elizabeth (Caitlin Gerard) and her husband settle in the desolate American frontier. Over time, she experiences a growing sense of evil in the nearby landscape and when another couple arrives and occupies a nearby cabin, Elizabeth's paranoia skyrockets.
- Director:
- Emma Tammi (feature debut)
- Writer:
- Teresa Sutherland
- Cast:
- Caitlin GerardJulia Goldani TellesAshley ZukermanMiles AndersonDylan McTee
Reviews & comments
Film Threat
pressIf you like quiet, meditative supernatural thrillers, you will ultimately enjoy The Wind quite a bit.
Rolling Stone
pressIf you're thinking "Repulsion by John Ford," you're more on the right track than you could possibly know.
Los Angeles Times
pressUltimately more allegorical than literal. It's not about history, or pioneer life, or bloodthirsty ghosts. It's about a loneliness so overwhelming that it becomes terrifying.
The New York Times
pressThis pioneer chiller shines a gender-specific spotlight on the ways isolation and hardship can ravage a woman's mind.
Hollywood Reporter
pressIt's refreshing to see such an original stab at this type of indie genre-bender, especially one told from a strictly female point of view.
Variety
pressDoesn't seek to make infallible heroes of its women, but to understand and empathize with even their most unforgivable acts. And it's a hugely promising debut in terms of Tammi's steady, assured directorial craft.
Film Threat
pressIf you like quiet, meditative supernatural thrillers, you will ultimately enjoy The Wind quite a bit.
Rolling Stone
pressIf you're thinking "Repulsion by John Ford," you're more on the right track than you could possibly know.
Los Angeles Times
pressUltimately more allegorical than literal. It's not about history, or pioneer life, or bloodthirsty ghosts. It's about a loneliness so overwhelming that it becomes terrifying.
The New York Times
pressThis pioneer chiller shines a gender-specific spotlight on the ways isolation and hardship can ravage a woman's mind.
Hollywood Reporter
pressIt's refreshing to see such an original stab at this type of indie genre-bender, especially one told from a strictly female point of view.
Variety
pressDoesn't seek to make infallible heroes of its women, but to understand and empathize with even their most unforgivable acts. And it's a hugely promising debut in terms of Tammi's steady, assured directorial craft.
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