Who's That Knocking at My Door

Who's That Knocking at My Door

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Who's That Knocking at My Door

In Martin Scorsese's debut feature, Harvey Keitel is a young, Catholic Italian-American who struggles with religious guilt after learning that the girl with whom he wants to settle down was once raped by a former partner.

1967Rating: M, Violence & sexual references90 minsUSA
Drama
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Reviews & comments

The New Yorker

The New Yorker

press

Martin Scorsese's dbut feature has just the slightest bit of story line, but the movie is a fascinating portfolio piece: a black-and-white blueprint for "Mean Streets."

0
Variety

Variety

press

Zina Bethune, as the girl, is believable but Harvey Keitel, as the anti-hero, is alternatively boorish or bewildered.

0
Time Out

Time Out

press

In the aggressive self-confidence, the use of rock music, and the perceptive observation, Scorsese reveals an anthropological feel for street life and the attitudes of male adolescence.

0
The New York Times

The New York Times

press

The director, who also wrote the original story and screenplay, hasn't succeeded in making a drama that is really much more aware than the characters themselves.

0
Roger Ebert

Roger Ebert

press

As a film, it has something to say to everyone. As a technical achievement, it brings together two opposing worlds of American cinema.

0
The New Yorker

The New Yorker

press

Martin Scorsese's dbut feature has just the slightest bit of story line, but the movie is a fascinating portfolio piece: a black-and-white blueprint for "Mean Streets."

0
Variety

Variety

press

Zina Bethune, as the girl, is believable but Harvey Keitel, as the anti-hero, is alternatively boorish or bewildered.

0
Time Out

Time Out

press

In the aggressive self-confidence, the use of rock music, and the perceptive observation, Scorsese reveals an anthropological feel for street life and the attitudes of male adolescence.

0
The New York Times

The New York Times

press

The director, who also wrote the original story and screenplay, hasn't succeeded in making a drama that is really much more aware than the characters themselves.

0
Roger Ebert

Roger Ebert

press

As a film, it has something to say to everyone. As a technical achievement, it brings together two opposing worlds of American cinema.

0

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