
Flicks, Sarah Voon
It could be the fact that everybody looks impossibly clean and shiny all the time that makes viewing this feel-good film akin to binge-watching a late nineties sitcom, albeit one with plenty of money to burn on production value. Nearly two hours of earnest paint by numbers plot devices leading to more paint by numbers plot devices caused me to, well, Wonder, if it couldn’t have benefitted from a little chaos and grit.
Full review