François Levantal

In 2045, where humans have given AI almost all their tasks, robots stage a coup inside one woman's home in this French sci-fi from director Jean-Pierre Jeunet (Amélie).

After growing up in a poor gypsy camp, Edmond Vidal, aka Momon, has retained a sense of family, unfailing loyalty and pride in his origins. Most of all, he has remained friends with Serge Suttel, with whom he first discovered prison life - for stealing cherries.