Columns

That the Fallout series is good – overwhelmingly good – is one of the nicest surprises in TV this year.

Season two hones in on Maya Rudolph’s ability to look extraordinarily glamorous while making an utter fool of herself.

Surprisingly renewed for a second season, this video game adaptation has early 2000s energy. In a good way.

If a show is this intent on cutting away repeatedly to Richard Nixon, there should really be a reason for it.

Russian werewolf ballerinas. The extinction of the Tasmanian Tiger. Dame Edna Everage. This 1987 film has it all.

By the start of season two’s second half, the trauma has piled up like a plate of pancakes.

“Shows like Mary & George have come before. And, undoubtedly, they will come again.”

Shōgun constantly interrogates ideas of identity, inside and out, and is all the better for it.

Apple TV+’s new sci-fi series has pushed the puzzle box genre in a promising new direction.

Michelle Pfeiffer manages to keep her cool in an otherwise breathtakingly dated, daggy musical sequel.

The Bob Marley biopic is disappointingly meek and formulaic – but these four music biopics are pretty freakin’ good.

There’s shockingly little, genuine fashion on display here.

In hindsight, this novel was always better suited to the small screen – and Netfix has obliged.

It’s a smart and sexy show for a while. Then, it gets a little depressing. Such is the modern age.

Despite the A-list clout Nicole Kidman brings to Expats, it’s wholeheartedly an ensemble piece.

Bill and Ted are a mutated movie star and a hairy dog boy in this brilliantly stupid 90s flop.

Celebrates Balenciaga, and the art of haute couture, but also questions its function in a modern, rapidly shifting society.

Explosions, Arnie, and a chase scene on horseback: a new comedy can’t beat James Cameron’s marital action hit.