Hollywood: Season 1

Hollywood: Season 1

Hollywood: Season 1

In post-WWII Hollywood, a group with big screen ambitions try to make their dreams come true in this alternate-history Netflix series from from Ryan Murphy (GleePose, American Horror Story). The cast includes Golden Globe winner Darren Criss (American Crime Story), David Corenswet (The Politician), Samara Weaving (Ready or Not) and Jim Parsons (The Big Bang Theory).

2020USANetflix
DramaHistorical

Streaming (1 Provider)

EPISODE 1.1
1 May 2020

Hooray for Hollywood

While waiting for his big break, aspiring movie star Jack Castello accepts a job at a local service station that pumps more than just gas.

EPISODE 1.2
1 May 2020

Hooray for Hollywood: Part 2

Jack gets a leg up on a screen test, Camille runs into typecasting trouble, Raymond pursues his directorial debut, and Archie bonds with a smitten Roy.

EPISODE 1.3
1 May 2020

Outlaws

Henry's scheming at director George Cukor's star-studded party leads Jack to a revelation about his wife — and Roy into a private meeting with Dick.

EPISODE 1.4
1 May 2020

(Screens) Tests

Avis receives bombshell news about the studio, the actors prepare to audition for "Peg," and Archie faces a devastating change to his screenplay.
EPISODE 1.5
1 May 2020

Jump

Problems arise as "Meg" begins production. Ellen takes a chance with Dick. Henry offers to make a brewing scandal over Jack's past go away — for a price.

EPISODE 1.6
1 May 2020

Meg

Problems arise as "Meg" begins production. Ellen takes a chance with Dick. Henry offers to make a brewing scandal over Jack's past go away — for a price.

EPISODE 1.7
1 May 2020

A Hollywood Ending

As the Oscars approach, Ernie shares devastating news, Camille listens to sage advice from Hattie McDaniel, and Archie takes a stand on the red carpet.

Hollywood: Season 1 / Reviews

Empire Magazine

Empire Magazine

For everything it seems to get right, something about Hollywood seems all wrong.

Full review
BBC

BBC

A show about Tinseltown that chose to confront and prod at these continuing, dispiriting realities rather than concoct its own vapid, hubristic fantasies would be worth 10 times this one.

Full review
Screen Daily

Screen Daily

Hollywood manages to be simultaneously more cynical and lazy than anything Tinseltown turned out during that age.

Full review
Financial Times

Financial Times

It's a pity that 'Hollywood' doesn't let us figure out the irony for ourselves, but instead underlines it with earnest speeches. However, all the signalling doesn't spoil what is essentially a glossy treat.

Full review
Vanity Fair

Vanity Fair

Those two halves never quite fuse together, leaving Hollywood stranded between its poles. It's intermittently engaging, but often curiously off-putting, an undone dish of conflicting tastes.

Full review
The Times

The Times

It glided over my brain like a feather boa, beautiful, silly, dissolute.

Full review
Little White Lies

Little White Lies

Costumes by Sarah Evelyn and Lou Eyrich, coupled with Matthew Flood Ferguson's production design, allow us to slip into this world... Still, echoing the eponymous setting, there are serious flaws hidden beneath the glossy veneer.

Full review
The New York Times

The New York Times

It's a noble thought and an audacious premise. It doesn't work here, not because of the fancifulness... but because of the story and character strains that "Hollywood" visibly goes through to steer to its conclusion.

Full review
The Washington Post

The Washington Post

There's plenty of razzle-dazzle in "Hollywood" that keeps it humming along, even as it overpreaches. At an efficiently brisk seven episodes, it's nobody's idea of a dull time.

Full review
Los Angeles Times

Los Angeles Times

The exact degree of ironic self-awareness here is hard to reckon, but "Hollywood," for all its exaggerations, feels sincere... Yet it's this very sincerity, even generosity - its best features, really - that keep the series from being lifelike.

Full review
Variety

Variety

What results is a Franken-show that’d have done the old Universal monster movies proud, lurching and stumbling through its story’s convolutions with great purpose but little worth saying.

Full review
Hollywood Reporter

Hollywood Reporter

Stylish, strongly acted and completely disingenuous about the arc of the moral universe.

Full review
IndieWire

IndieWire

“Hollywood” is just happy to paint a picture of what could have been, rather than work to say anything new about what Hollywood could become.

Full review
The Telegraph

The Telegraph

Purple, manipulative, shameless – the old-school Hollywood of Ryan Murphy’s dreams might hustle like the real thing, but it doesn’t much look like it.

Full review
Chicago Sun-Times

Chicago Sun-Times

Netflix series from the ‘Glee’ team pairs real players of 1940s Tinseltown with fictional ones, but the revisionist history falters midway through.

Full review
Entertainment Weekly

Entertainment Weekly

I do believe movies can change the world, but it’s a complex process, never quite moving from point A to point B. Something about Hollywood’s grinning simplicity — its crushing certainty that good people make good art that earns good money and is good for society — left me cold.

Full review
A.V. Club

A.V. Club

Hollywood’s message is clear, even if its messaging is muddled. The series is engrossing throughout and its optimism is undeniably winning.

Full review
Rolling Stone

Rolling Stone

Murphy has always been better at big ideas than small details, and the sentimentality of the piece, coupled with the potency of many of the performances, after a while becomes infectious, making Hollywood’s weak spots easy to forgive.

Full review
Collider

Collider

Leaning further in the direction of a Capra flick than the hyper-violent revenge fantasy of Quentin Tarantino’s revisionist Hollywood tale, Murphy’s miniseries is about using your power to raise up others, and taking chances to push for change from within.

Full review