Katie Parker

The world’s terrifying, but hopefully you haven’t lost your appetite for horror.

…without being a mindless one.

Zoë Kravitz is a delight – an equally witty, more chill foil to Fleabag.

Untethered from norms like “decency”, “taste” and “good script writing”.

Sun-drenched pagan horror is the perfect exercise in catharsis.

A reminder that skating consists of far more than just white boys and their girlfriends.

A fascinating and frank examination of the female-led political landscape of 1970s America.

The show’s at its best when leaning into its emo inclinations.

Made over and reimagined, it’s the same Harley but newly fleshed out.

Is a new generation ready for Charlie’s Angels?

More a test of endurance than a rival to a film like The Room.

Still, it’s a fun ride.

“Nudes are the currency of love. So stop shaming us.”

The film contains something many action films sorely lack: fun.

There is nothing subtle, nor particularly insightful, about Rocketman.

The 90s teen movie boom’s most beautiful, bizarre and strangely enduring film.

Extremely Wicked, Shockingly Evil and Vile’s worst offence is being boring.

“Easily the best thing about Someone Great is its cast.”

We need more dumb psychological thrillers like this.

A Hollywood re-make seems like a rather less likely prospect.

Katie Parker looks at recent cinema portrayals of RBG and her embrace by pop culture.