Katie Parker

Still, it’s a fun ride.

“Nudes are the currency of love. So stop shaming us.”

The film contains something many action films sorely lack: fun.

There is nothing subtle, nor particularly insightful, about Rocketman.

The 90s teen movie boom’s most beautiful, bizarre and strangely enduring film.

Extremely Wicked, Shockingly Evil and Vile’s worst offence is being boring.

“Easily the best thing about Someone Great is its cast.”

We need more dumb psychological thrillers like this.

A Hollywood re-make seems like a rather less likely prospect.

Katie Parker looks at recent cinema portrayals of RBG and her embrace by pop culture.

You won’t find anything tricksy, stylised or gritty going on here.

The film itself, however, is a bit of a disappointment.

It’s no Favourite of Katie Parker’s.

Gut-wrenchingly familiar and relatable to anyone who has ever been sad or awkward or a teenager.

True Detective returns to NEON alongside Patty Jenkins’ I Am The Night

A rare period drama that goes beyond merely re-hashing a sensationalised past.

The women here are messy, rough and intensely real.

In Spider’s Web, Lisbeth is little more than the lump sum of her trauma.

“Whether you were wanting her or not, Lisbeth Salander is back.”

Overdue remake pushes a new agenda: the idea of authenticity.

It’s a shame it couldn’t have been half an hour shorter.