Matt Glasby

No matter how serious things get, the leads always feel like real children due to the actors’ extraordinary performances.

Most kids are harmless. But, as films have taught us, some of them can’t be trusted.

Twenty of the top trophy winners to stream right now.

Sir Kenneth Branagh’s coming-of-age tale is a sincere portrait of the artist as a young man.

True-ish stories, smart arse dialogue and liberal outrage with a sprinkling of sentiment – ah yes, it’s another Aaron Sorkin movie.

Spielberg has directed his first musical – an old-fashioned film with dazzling sets and dynamic camerawork.

Denis Villeneuve directs the hell out of this highly ambitious adaptation of Frank Herbert’s seminal novel.

A nifty central conceit is paired with everything from eye gougings to eviscerations.

If you ever wondered what speaking truth to power really looks like, look no further.

Frankly, who wouldn’t want to be riding along on this road trip?

Cassius Clay, Malcolm X, Jim Brown, and Sam Cooke share a night of civil rights soul-searching and infighting.

An Oscar nomination for Gary Oldman is all-but-guaranteed with David Fincher’s latest.

Matt Glasby takes a decade-by-decade look at cinema’s scariest.

“What makes viewers so pliable once the puke starts flying?”

In cinemas this week, the classic novel comes to life as star-studded light farce.

“It’s like a sauna. Furnace. You could fry an egg on my stomach. Oooooohhhhh”

Those with no interest can just keep walking.

Nicholas Hoult gives a dignified central performance.

Stephen Merchant has a great ear for dialogue.

Does more for Kidman than it does for the genre.

There’s a reason it’s up for an Oscar.