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This film wants to be Festen. If you haven't seen it, it's a minor masterpiece made by Thomas Vinterburg and released in 1998. The English title is The Celebration and it's the first certified film made according to Dogme 95. It's also a hell of a lot more interesting to talk about than the mildly painful After the Wedding.
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Could easily have become unbearably sentimental and cliched. Instead, thanks to a tight script, sharp direction and excellent actors, new film by Danish helmer Susanne Bier manages to be both emotional and engaging...
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A fine and, on a scene-by-scene basis, often better than fine, if effectively unadventurous work...
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Once again Bier demonstrates just how misleading appearances can be, as she artfully removes the veneers concealing the dark truths locked away by her intriguing characters...
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What feels at first like a quiet, straightforward picture builds into one of the richest and most satisfying of the year so far, in any genre or any language...
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Potent Danish drama of skeletons falling out of family closets is occasionally deliberate but mostly mesmerising...
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Evidently, this bloated piece of Oscar-nominated nonsense was a big hit in Denmark, which makes me think there's a glittering future in that otherwise discriminating country for several seasons of "Days of Our Lives."...
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According to Danish director Susanne Bier, humanity resides between a rock and a hard place. Like her previous films (Open Hearts, Brothers), After The Wedding is an unabashed melodrama about a family torn apart by the randomness of life. As usual the performances are strong; Mads Mikkelsen (Casino Royale) excelling as a sullen aid worker uprooted from India to confront his past. It's a good thing too as the plot is about as subtly orchestrated as a pop star's nuptials...
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