
The Globe and Mail
However sloppy its execution, this is a go-for-broke attempt at breaking and then reassembling the form.
Full reviewAcademy Award winner Marion Cotillard is an opera singer married to a comedian (Oscar nominee Adam Driver) in this musical written by cult art-pop duo Sparks and directed by Holy Motors' Leos Carax (who won Best Director for this at Cannes 2021). To the couple's surprise, they discover their two-year-old daughter has a remarkable gift.
Marion Cotillard, Adam Driver and director Leos Carax will make you laugh, groan, roll your eyes, cry, and fill you with rapturous delight.
However sloppy its execution, this is a go-for-broke attempt at breaking and then reassembling the form.
Full reviewWhat at first seems different and brilliant ultimately curdles into a new kind of awful.
Full reviewA pretentious, arty, occasionally breathtaking, ultimately misbegotten midsummer gift.
Full reviewDriver's admirable devotion to Annette's stylish ecstasies and ironies can only carry its smattering of ideas so far.
Full reviewA wildly melodramatic rock-opera prone to insane flights of desire, despair, and dorkiness, Annette is gloriously artificial...
Full reviewHovering on the brink of collapse, it’s a delicate dance between genius and fiasco...
Full reviewThis ambitious collaboration between Carax and Sparks drags us under with its downbeat themes and repetitive lyrics.
Full reviewThe different sensibilities involved rarely mesh together and the songs - mostly thin and unmemorable, more often talky than melodic, with obsessively repetitive lyrics - seldom ignite much feeling.
Full reviewAnnette is sure to be divisive, but it's a curio that demands to be seen. It's not as if you get to watch surreal, avant-garde rock operas very often.
Full reviewI don't know what Annette is, except that it's Annette, and that it's unique.
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