
Flicks, Liam Maguren
Critics can no longer describe a film as “a painting come to life!” This musing on Vincent van Gogh owns that metaphor now, and unless we see another feature made from tens of thousands of actual paintings, it’s going to stay that way. Opening with a shot of the crescent from The Starry Night, the moonlight proceeds to move and rotate in the way that painting suggests. Imitating van Gogh’s style isn’t something to marvel at, but to see it interpreted in animation is. This film is a visual astonishment and it would’ve been a damn shame if filmmakers Dorota Kobiela and Hugh Welchman fudged the opportunity.
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