Flicks, Aaron Yap
John Boorman’s Best Picture-nominee Hope and Glory, a vivid, powerful semi-autobiographical tale set during the London Blitz of WWII, remains one of the finest childhood-in-wartime films ever made. It probably didn’t need a sequel, but the lovely Queen and Country, arriving 27 years after the original, won’t make you hate Boorman for dipping back into the well. Sure, it lacks the lingering imagery and hefty scope of that film, but as a potential swan song for the 82-year-old director, it’s an agreeably bittersweet and surprisingly spry cap on a remarkable -- and remarkably varied -- career in cinema.
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