The Unknown Woman

The Unknown Woman

(La Sconscuita)

Multi award-winning Italian thriller from Giuseppe Tornatore (Cinema Paradiso), focusing on the dark world of human trafficking.... More

Irena is a beautiful young Eastern European woman who arrives in the Italian city of Trieste looking for work. There is a mysterious side to her visit: she rents out an apartment she cannot afford and begins to spy on the affluent couple opposite, and their four year old daughter. Stopping at nothing to become the family's trusted maid and nanny, Irena risks it all to uncover a dark truth about the family...Hide

Flicks Review

Director Giuseppe Tornatore is best known as the empathetic humanist behind tearjerker Cinema Paradiso, but here he’s back to his roots, his seldom seen early thrillers. Really he’s attempting to blend both into one heady brew and only partially succeeds in making it palatable.... More

The opening act sets you up for cold blooded goodness with Tornatore ratcheting up the suspense like he’s channeling Hitchcock. Lush but foreboding camera work sets a sinister scene while legendary composer Ennio Morricone’s score gives the story a knife edge to teeter on. After the first half hour you could be forgiven for thinking you’re watching the best pure thriller in years, but then things start shifting story wise.

Snippets of flashbacks that so effectively provided an aura of mystery are fleshed out into a full blown mother’s love narrative. While they produce sequences punctuated by terrific acting, they also deflate the tension that had been the film’s strongest suit up till that point and rob you of the thriller pay offs you have come to crave. You’re left with the suspicion that Tornatore is just too nice a guy to really twist the knife when he has the chance.

Ultimately, the piece ends up betwixt and between noirish crime and heart wrenching melodrama, never truly finding a way to unite them harmoniously.

The Peoples' Reviews

Average ratings from 1 ratings, 1 reviews
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BY Brian1 superstar

Perhaps a bit violent in parts, but an excellent movie about a world most of us would only read about (or see in the movies) thankfully.
Well worth going to.

The Press Reviews

  • A spellbinder with a lot of Hitchcock touches and an Ennio Morricone score to match. Full Review

  • It’s the toast of the continent and once you’ve watched it, the reason why it is will be anything but a mystery. Full Review

  • Everyday incidents trigger in Irena alternately sweet and horrific memories, and these become like pieces in a jigsaw puzzle that is completed only when the film concludes, at last revealing its full meaning. Full Review

  • Just under two hours, sumptuously photographed in noirish shades and slathered in spine-tingling music by Ennio Morricone, it twists every which way to sustain suspense until the final frame. Full Review

  • The film has major problems blending the strong social theme of exploitation and white slavery with Tornatore's noirish screenplay, full of holes and improbabilities. Full Review