
Flicks, Giles Hardie
There is a stereotype associated with Cannes Film Festival Palme D’Or winners – long, glacial, art-house films filled with words not action - which isn’t much based in empirical reality. The festival first lauded the gripping The Third Man and in recent memory has lauded eventful films such as Blue is the Warmest Colour, The White Ribbon, Elephant and Pulp Fiction.
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