Show of the Week

Surprisingly renewed for a second season, this video game adaptation has early 2000s energy. In a good way.

By the start of season two’s second half, the trauma has piled up like a plate of pancakes.

“Shows like Mary & George have come before. And, undoubtedly, they will come again.”

Shōgun constantly interrogates ideas of identity, inside and out, and is all the better for it.

Apple TV+’s new sci-fi series has pushed the puzzle box genre in a promising new direction.

There’s shockingly little, genuine fashion on display here.

In hindsight, this novel was always better suited to the small screen – and Netfix has obliged.

It’s a smart and sexy show for a while. Then, it gets a little depressing. Such is the modern age.

Despite the A-list clout Nicole Kidman brings to Expats, it’s wholeheartedly an ensemble piece.

Celebrates Balenciaga, and the art of haute couture, but also questions its function in a modern, rapidly shifting society.

Disney+’s Echo, so we’ve been told, marks the debut of the Marvel Spotlight banner – a new signifier of “more grounded, character-driven stories… focusing on street-level stakes over larger MCU continuity”. This is a lie.

Now that the Harry Potter franchise, for various reasons, is on a rapid decline, we’ve arrived at the question: what next?

A reminder of the show’s strength – a cavalcade of sublime, British talent, surrounded by lavishness.

Shows how the parental divide can make two individuals feel as if they inhabit entirely different worlds.

One of the richest, most beautiful pieces of storytelling currently on television comes to an end.

Where does the Gothic live in the 21st century? A new doco series finds out.

For anyone who questioning the existence of Scott Pilgrim Takes Off, allow me to offer a bit of advice: stick with it.

Corseted girlhood is infused with with blissful, modern energy in Apple TV+’s new series.