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Riveting, no-nonsense crime saga that fleshes out three distinct groups of characters before throwing them together at full speed for a memorable collision and a soulful epilogue.

A feel-bad drama that delivers in terms of brooding atmosphere, growing tension, and inevitable violence. Dark and gripping, this is a claustrophobic revenge tragedy of Shakespearian proportions, in which characters fume and feud with fierce intensity.

Tim Robinson’s cringey brand of comedy collides with surreal mystery in a welcome addition to his body of work. Relishing in being hard to pin down, it further explores the traits and performance tics that are beloved in his other roles. Full article

Exactly what you want from a Shane Black movie, mostly maintaining a playful edge and rarely lingering too long between thrills. Full article

Though I found it all a little bit too girl-who’s-going-to-be-ok-meme-esque at times, and not nearly as uproariously funny as some audiences, I appreciated Sorry, Baby’s hopeful and heartfelt approach and refusal to sensationalise its subject matter.

An unquestionably gripping and highly immersive experience, driven by Greengrass’s knack for capturing catastrophe and pulse-pounding immediacy. Full article